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Refutation of All the Judgements, Pro or Con, Thus Far Rendered on the Film "The Society of the Spectacle"

An odyssey through time and memory, centered around a place in New England where—from wilderness, and then, later, from a home—love, loss, struggle, hope and legacy play out between couples and families over generations.

Baby Talk is an American sitcom that aired on ABC from March 8, 1991 until May 8, 1992 as part of ABC's TGIF lineup. The show was loosely based on the popular Look Who's Talking movies and was adapted for television by Ed Weinberger. Amy Heckerling created original characters for the series while using key creative and script elements from Look Who's Talking, which she had written and directed. Weinberger served as executive producer during the first season, and was replaced by Saul Turteltaub and Bernie Orenstein in the second season.

A provocative and darkly comic meditation on the disparate forces polarizing present-day American culture, as experienced by the members of a progressive multi-ethnic family — a philosophy professor and his wife, their adopted children from Vietnam, Liberia and Colombia and their sole biological child — and a contemporary Muslim family, headed by a psychiatrist who is treating one of their children.

For several months, the investigation into the robbery of the cashier in the village of Airport. Assistants to the chief of criminal investigation department Mironov managed to find the direct traces leading to the thief-the recidivist Panasyuk serving sentence in a colony for small theft.

Zeynap Altin is at the end of her tether: she works far too much and is not valued at all by her husband, daughter and father. To make matters worse, the funeral home dressed her beloved late mother in a man's suit instead of her favorite dress. Enough is enough: Zeynep flees from Munich to the previously unknown holiday home on a Croatian island that her mother secretly bought years ago - with the hope of finding quiet, peace and herself there. If only the previous owner Josip, a rough islander, didn't still live on the same property and annoy her with his views and wisdom.

In New York, a bank robbery of $300,000 goes unsolved for a year, until some of the marked bills are found in a Los Angeles drugstore theft. Police detectives Cal Bruner and Jack Farnham investigate and are led from the drugstore to a nightclub, where singer Lili is another recipient of a stolen bill. With Lili's help, the partners track down the remaining money, but both Lili and Frank are dismayed when Cal decides he wants to keep part of it.

Mollie is a single working mother who's out to find the perfect father for her child. Her baby, Mikey, prefers James, a cab driver turned babysitter who has what it takes to make them both happy. But Mollie won't even consider James. It's going to take all the tricks a baby can think of to bring them together before it's too late.

Pedro returns home to a small mountain village in Guerrero, Mexico after years of working in the US. He finds his daughters older, and more distant than he imagined. His wife still has the same smile. Having saved some earnings from two trips to the US, he hopes to now finally make a better life with his family, and even to pursue his dreams on the side by starting a band: Copa Kings. He cherishes the everyday moments with his family. The villagers think this year's crop will be bountiful. There is also good work in a growing city an hour away. But the locals are wise to a life of insecurity, and their thoughts are often of family members or opportunities far away, north of the border. While working in the fields, Pedro meets and begins to mentor a teenager who dreams of the US. That place somehow always feels very present, practically knocking at the door. "Aquí y Allá" is a story about hope, and the memories and loss of what we leave behind.

In addition to an incipient fondness for greyhound racing, the young Arnau has two inseparable companions: a songbird and a fox. Both accompany him in his journey to adolescence, a difficult transition due to some hard circumstances: the mother of the boy is locked in prison, and he is forced to live with his uncles.

Finley, a talented aspiring violinist, meets Beckett, a famous young movie star, on the way to her college semester abroad program in a small coastal village in Ireland. An unexpected romance emerges as the heartthrob Beckett leads the uptight Finley on an adventurous reawakening, and she emboldens him to take charge of his future, until the pressures of his stardom get in the way.

When a team of explorers ventures into the uncharted maze of bones that lies beneath the streets of Paris, they embark on a journey into madness and terror.

Hamburg, St. Pauli, New Year's Eve. Oskar Wrobel runs a music club in an old hospital at the edge of the Reeperbahn. While fireworks go off in the streets of St. Pauli, he prepares the big final party - the club has to close. Thankfully there is no time to think about it because the chaos is breaking into his living room, all while hell break loose at the club. The film, based on the novel by Tino Hanekamp, was filmed with hundreds of extras attending a real-life three-night-long party.

SIGNERS KOFFER is a kind of road movie across Europa. From the Swiss Alps to eastern Poland, from Stromboli to Iceland. Always following the scenery's magically charged contours. Immersing yourself, letting yourself be infected, then travelling on. Roman Signer determines the route that we are moving on and the film improvises along the way. Being on the road also means tracking down the right places. Signer brings them alive using his own personel instruments, brilliantly simple operations full of subtle humour. «Simple» poems being transmitted into space with INSTRUMENTS as gunpowder, fuse, rubber boots, balloons, stool, small table ... and a three wheelded Plaggio. SIGNERS KOFFER is also a journey through the state of mind. A tightrope walk between fun and melancholy. Danger also mental mental danger becomes the stimulus of the senses. Sudden crashes, abrupt chagnes of mood determine the rythm and atmosphere of this cinematic journey.

Et Dieu créa... Laflaque is a satirical show on Quebec television that comments on current events by the favour of the show's main character, Gérard D. Laflaque, a stereotypical, family father and an announcer. Created by the cartoonist Serge Chapleau, he is broadcast on a weekly basis since 2004 by Télévision de Radio-Canada. There are currently seven seasons. Its title translates to "and God created...Laflaque" in English.

Sutter, a popular party animal, unexpectedly meets the introverted Aimee after waking up on a stranger's lawn. As Sutter deals with the problems in his life and Aimee plans for her future beyond school, an unexpected romance blossoms between them.

This abstract yet compelling philosophical tale uses the Alexeïeff-Parker pinscreen as a metaphor for the particles that make up the universe. Through 4 tableaux that explore her character’s thoughts, filmmaker Michèle Lemieux takes a look at the profound reflections of this everyman, whose questions are part of humanity’s eternal quest for meaning.

An undercover Nazi in Libya aims to steal fuel and deliver it to a specific location in the desert where an Italian bomber would refuel on its way to Allied target.