Juan Of

Jeanne lives in Paris and believes she is the reincarnation of Don Juan. She visits a priest and tells him she has killed a man. He comes to her elegant flat - her father has died leaving her rich - and she tells the priest stories about men she has seduced. The seduction is easy, she tells him, it's destruction that takes planning. We watch her with an upright elected official, a wealthy boor, and a folk singer. She describes herself as a spider. Her friend Léporella tries to be Jeanne's conscience. What does Jeanne want?

A journey through the work of Spanish filmmaker Juan Piquer Simón (1935-2011).

Juan Pérez is an ordinary Chilean; one who goes through his monotonous life unnoticed, surviving debts, his crushing work, minimum wage, and loneliness. Until one day, out of luck, he prevents a robbery and is given hero status by the media. This lasts 24 hours. Forced to return to his routine, Juan falls into a spiral of excess and madness, and ends up the opposite of the hero he wanted to be.

Don Juan, the seducer, is cursed by the governor of Seville: he can only live until a woman rejects him. Thanks to this curse, Don Juan has been living in bliss for 400 years when he arrives in Budapest. Of course, in the new city he chooses a new girl to conquer, Kata Lukacs. The experienced heartthrob used all tricks and tricks, but it seems that none of this has an effect on Kata.

The metamorphoses of Juan Quin Quin, in turns bullfighter, guerrilla fighter and sacristan.

In 1971, during the Spain of the last Franco, Solanas and Getino frequented Juan Perón's residence in Puerta de Hierro to film - secretly - two long documentaries with the former president. They were six months of travel between Madrid and Rome, where the montage was made, hiding the negatives that were filmed and avoiding López Rega's claim to take possession of them. In the summer of 2012, Solanas began filming The Legacy in the residence that Perón and Evita built in San Vicente in 1947. During three years the film was being put together and at the same time photographic archives and documents were investigated. For the first time, fragments of unpublished recordings of the informal conversations that Solanas and Getino had with Perón are used.

The last representatives of Mixteco culture inhabit a village in the Sierra Madre. Deprived of their identity by modern civilization, they are facing an even bigger threat: a landslide that may destroy the village during the next torrential rains. The mayor tries to prevent the disaster. He wants to invite a geologist, so that the approaching danger can be officially confirmed. But no help is coming and the inhabitants must simply wait for the disaster.

Santo is called in to stop robot terrorists from sabotaging oil supplies in Puerto Rico.

The filmmaker Juan Pinzás goes on a physical and also inner journey, in search of some lost images that he filmed in the 80s. The journey takes him from Madrid to Galicia and on the search for these images he meets with various characters who will help him in his undertaking, such as the actors Paul Naschy and Javier Gurruchaga whose personal worlds will be examined in the film. Finally in Vigo, his home city, of which he presents a remarkable portrait, he finds an old film in Super-8mm with the missing images. The catharsis is produced with the viewing of the old film which turns out to be a tribute to cinema and this means the end of the filmmaker's introspective journey.

After defeating a dangerous mob boss named Popovich, Juan Mechas and his new adoptive daughter, America, must defeat Lg Og, a vengeful lackey of Popovich.

Juan returns home to Mexico after working in the USA for awhile, and gets caught up in cowboy problems among his townsfolk.

Pound x Pound introduces you to the world of boxing elite through the eyes of Juan Manuel Marquez, four-time world champion. It is a ringside ticket to the professional and personal life of Juan Manuel. An unique access to the truth behind the rivalry with Manny Pacquiao. Read the story behind the Mexican idol, who through work, effort, sacrifices and frustrations, has established itself as one of the best pound for pound fighters in the world.

Juan Sin Fiedo (Javier Solis), Juan Colorado (Antonio Aguilar), Juan Pistolas (Luis Aguilar) and Juan Charrasqueado join their destinies during the Mexican Revolution.

Giovanni Percolla lives in Catania surrounded by the attentive cares of his three sisters. He permanently acts like a Don Giovanni to hide his real poor "knowledge" of women. With his friend he moves also to Rome but women still continues to remain part of his fantasies. But Giovanni succeeded to build anyway a fame of "tombeur de femmes". One day he meets the real love of Maria Antonietta and decides to marry. Will things change?

What do women want? Don Juan is aging. He's arrived secretly in Seville after a 20 year absence. His wife Dolores, whom he hasn't lived with in five years, still loves him. He refuses to see her; he fears the life of a husband. She has bought his debts and will remand him to jail for two years if he won't come to her. Meanwhile, an impostor is climbing the balconies of Seville claiming to be Don Juan.