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Kind Of Blue: Celebrating A Masterpiece incorporates material from the 2004 mini-documentary, Made In Heaven, including black-and-white still photography of the recording sessions and the voices of Miles (at the sessions), as well as excerpts of radio interviews with the late Bill Evans.
A designer uses clients' life stories to transform their homes.
Svankmajer's music video for Hugh Cornwell's "Another Kind of Love."
Another Kind of Knowledge is the result of a conversation that started in 2017 with the renowned Danish architect Dorte Mandrup, who for years has been an established figure in the Scandinavian architectural world, and is increasingly achieving prominence on an international level. In this portrait film, Mandrup herself unfolds the cornerstones of her practice—predicated on the synthesis of place, history, materiality, and sculptural—resulting in a consistent articulation of the contemporary. Her buildings always speak about a place. But who is Dorte Mandrup? What has shaped her approach to architecture? How does she go about her projects? While revealing something about Mandrup's inner and outer landscapes, Another Kind of Knowledge is a fascinating story about the essence and conditions of architecture today.
What happens when four despicable idiots decide to rob small-time payday lenders?
Drama runs deep with betrayal between friends and distrust between lovers. It only takes one moment to realize that what seems to be right turns out to be wrong. As deception falls upon the hearts of these women, vulnerability becomes the objective in this passionate story.
Three Afghan girls share what their ideal day may look like.
Story of radio station WJR, Detroit. Many shots with local radio personalities in studio and people listening to the radio at home, in the ballpark at work and outdoors.
A feature documentary that explores gay and lesbian Christians' struggle for acceptance in the Episcopal Church, the "schism" their activism threatens to bring to worldwide Anglicanism, and the ways in which activists such as these can shape our personal liberties at the highest institutional levels.
Six teens who were traumatized by child abuse early in their lives come together to form a gang that ultimately plots revenge against the ones who committed the crimes against them. The gang leader is the only one who has something of a normal life, living at a hotel where he is an apprentice and friends with the managers who are like surrogate parents to him. However, when the others start to attack their tormentors, Smith is drawn into the conflagaration also.
Take a journey to Northlandz: a 52,000-square-foot model train installation outside of Manhattan, and into the ornery mind of the man who brought it all to life.
Follow students enrolled in a Juilliard music and mentoring program targeting students underrepresented in the performing arts. Admission is based on potential, willingness and desire to learn, love for music and a certain drive.
Rival reporters compete to sign the Wyatt Quintuplets to be guests on their radio shows.
A truck driver and a gold-digger meet at a swank hotel and both think the other is wealthy. A drama of greed and society.
Weaving together film, music and poetry, "Last of Our Kind" transforms the memory of a lost love into a ritualistic incantation of longing. Action is exaggerated and time seems to blur, as the lovers' tale unfolds poetically into a modern interpretation of the Persephone myth. Shot entirely on Super-8 - the movie traces the poem, line by line, throughout the city of Seattle in sequences of time-lapse photography blended with live-action that collapse and rearrange time and events into memories. Shot as a silent film, "Last of Our Kind" features an original soundtrack created by Robin Guthrie interwoven with a voiceover recitation of Rick Linville's poem.
A story deception and strife.
At 14, Jalal was taken from a prison in Afghanistan and brought to the UK. Now, on the cusp of turning 18 and severely traumatised by his past, he has trouble in school and is on the verge of being put out of foster care.
Filmed during a media workshop for Syrian girls in Jordan's Za'atari Refugee Camp, 17-year-old Khaldiya meditates on how the camp has opened up new horizons and given her a sense of courage that she lacked in Syria.
In his works, Urs Breitenstein always remains always very close to the materiality of the film medium and its technical possibilities. Rhythm, image division and soundscape dominate the image.