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With his last film, Hirsch more than ever justifies a critic’s description as ‘the Matisse of the Cinema.
In an atmosphere grown suddenly impossible to breathe, a diver and a woman appear to be the only survivors. As their reserves of air run out, will they make love or war?
Adel is a young aircraft co-pilot. Following a assault he may lose is eye.
This afterword to India Song (Duras' celebrated 1975 film) is organized in several parts. It begins with an interview to Marguerite Duras by Dominique Noguez, an expert in her work; the interview links the film to the two movies whom it's related to: The Ravishment of Lol V. Stein and The Vice-Consul. Several themes are tackled: childhood, autobiographical traces, relationships between differents characters and different films and more. India Song's main actors — Delphine Seyrig and Michael Lonsdale, who played Anne-Marie Stretter and the French vice-consul — join the conversation and talk about their roles and their craft. Marguerite Duras then evokes her memories of the shooting with the composer Carlos D'Alessio and her camera operato Bruno Nuytten. The conversations are punctuated by clips of the film.
The difficult and vain attempts of a young woman to rehabilitate the memory of her father, accused of a crime committed by one of his workers...
During nine months, a couple will observe by their windows all the stages of pregnancy, wondering : which color will be their baby's eyes?
Pascal had such a battered, so painful, so violent childhood that he would have every good reason to paint everything black. However, the painter from Gençay puts color everywhere, all the time, without respite, without rest. Compulsive and inexhaustible, his art brut is the tool of his resilience. Throughout the bond that is forged with the director, we follow him on the path to recognition.
“The Color Purple” by Steven Spielberg animated and summarized in 1 minute by Mohammad Babakoohi. Inspired by some paintings by Felix Vallotton in visual research.
Memories weigh down on feelings. This is what we explore here with Olivier. When he returns home after an ordinary day at work, he recalls, via an event, the love affair he had in the past with Max.
Episode of the French television series "Cinéma Cinémas" which documents the discovery of the negatives that led to the completion of the color version of Jacques Tati’s 1949 film "Jour de fête".
Aibileen Clark is a middle-aged African-American maid who has spent her life raising white children and has recently lost her only son; Minny Jackson is an African-American maid who has often offended her employers despite her family's struggles with money and her desperate need for jobs; and Eugenia "Skeeter" Phelan is a young white woman who has recently moved back home after graduating college to find out her childhood maid has mysteriously disappeared. These three stories intertwine to explain how life in Jackson, Mississippi revolves around "the help"; yet they are always kept at a certain distance because of racial lines.
As Rincewind involuntarily becomes a guide to the naive tourist Twoflower, they find themselves forced to flee the city of Ankh-Morpork to escape a terrible fire, and begin on a journey across the Disc. Unknown to them, their journey and fate is being decided by the Gods playing a board game the whole time.
The life of the revered 18th-century Armenian poet and musician Sayat-Nova. Portraying events in the life of the artist from childhood up to his death, the movie addresses in particular his relationships with women, including his muse. The production tells Sayat-Nova's dramatic story by using both his poems and largely still camerawork, creating a work hailed as revolutionary by Mikhail Vartanov.
World War II In Colour is a 13-episode television documentary miniseries recounting the events of World War II narrated by Robert Powell. The show covers the Western Front, Eastern Front, and the Pacific War. It is on syndication in America on the Military Channel. This series is in full color, combining both original and colorized footage.
The Gardner family moves to a remote farmstead in rural New England to escape the hustle of the 21st century. They are busy adapting to their new life when a meteorite crashes into their front yard, melts into the earth, and infects both the land and the properties of space-time with a strange, otherworldly colour. To their horror, the family discovers this alien force is gradually mutating every life form that it touches—including them.