La Femme à La Bouche Fe

A film by Alain Philippon.

A policeman discovers during a case that he is investigating himself. His wife has witnessed a terrorist attack committed by her lover.

A couple brings home a painting of a flamenco dancer . At night the young woman gets out of the painting. And this is the beginning of a great orgy .

A woman lives alone on the edge of a mountain lake. It replaces its isolation maintaining a particular relationship with water and nature. One day, a blazing sun arrives that dries up the lake.

When master student 'Documentary film' Sofie Peeters moved to Brussels, she was faced with a very frustrating phenomenon. On a daily basis, she was treated with disregard by strange men in the streets: cheap attempts to flirt, sexist roaring, intimidating persecutions,... Sofie decided to make her Master film about this. She caught the sexism on tape, confronted the offenders and questioned women about how they deal with this problem. The result: 'Femme de la rue'.

Lionel is a middle-aged man. A little naive, maybe. One day, he finds a woman's body floating in his pool...

The life of a right-wing housewife in Chile during the prior days to Salvador Allende's military overthrow.

A journey in the company of Bernadette Lafont, French Cinema’s most atypical actress. Tracing her career from pin-up girl, to New Wave model of sexual freedom, to drug-dealing granny in the film Paulette, by way of La Fiancée du Pirate and Les Stances à Sophie, this film pays tribute to her extraordinary life and artistic odyssey. Her grand-daughters, Anna, Juliette and Solène, revisit the dreams of Bernadette, in the family home in the Cevennes region where they, like her, grew up. Her close friends, Bulle Ogier and Jean-Pierre Kalfon, reminisce on their artistic and human complicity. Throughout the film, Bernadette Lafont in person, with her inimitable character actress voice, re-evokes a life in cinema marked with insolence, courage and freedom.

Told that he is to take charge of his grandson, a misogynistic old nobleman is taken aback when he discovers that "he" is actually a "she." At first rejecting the girl, the old coot finally comes to love and accept her.

Pascal and Martine are married, have children, but are getting bored with each other. Pascal is tempted by a beautiful salesgirl with whom he finally has a date. But the bombshell promised more than she actually delivers. On the other hand, he is attracted to his precocious niece Sophie. But he only becomes her confidant, living vicariously her first sentimental experiences with boys of her age. On her part, Martine winds up responding to the advances of her office manager who has been trying to pick her up for months. She follows him to his apartment but the alleged Don Juan is nothing but a boor who prefers to watch a soccer match rather than to make love to her. In frustration, she leaves him sprawled before his set while she returns to Pascal. They realize their extramarital experiences have reinforced their couple and can now live happily ever after.

A short film by Jean Douchet

August 1914: wife and mother, woman's first sacrifice is to see her beloved depart for the front. In a city, she works in railway stations,as a waitress or even as a chimney sweep. At the factory, she only interrupts her work to feed her baby. At the country she does the plowing or picks olives. But above all a wife, she brings the soldier "fraternity and tenderness", parcels, love notes and care. She brings flowers to the dead's tombs, and remains ever present in the soldier's heart.

Theatre play broadcast live from the Théâtre André Malraux in France.

After numerous exhibitions of the black art by the magician, he causes a handsome young woman to appear suspended in the air. She slowly turns until her head is pointed towards the floor and her feet toward the ceiling. She revolves in both directions, as though on a pivot, with apparently nothing to hold her.

Surrealist short film of images viewed to a surrealist poem by Max Ernst.

A young, unnamed Ivorian intellectual returns home after a lengthy spell in France. Failing to reconcile his new-found modernist views with his African traditions, and obsessed with his sexual inhibition, the man becomes haunted by the specter of a knife-brandishing woman threatening to shatter any potential relationships with other women.