La Maison Des Résidus

A shiftless resident in a boarding house spends his days crawling in the attic and spying on the renters below. One day he spies an elegant lady enter a room where a clown awaited her and watched as he pleasured her. But she spotted him watching and it aroused her more. Thus begins a story of two people who find they share similar desires and deadly passions.

Distraught, Catherine wanders the Canadian countryside and takes refuge in an isolated villa. She talks to David, the owner, about her past: drugs, psychiatric hospital, murder of a nurse. Her friends show up and throw a party, which gets out of hand.

Stage director Frank Castorf “might have been born to direct From the House of the Dead” (Opera Today). His gritty, visually striking adaptation brings bold modern and postmodern touches to Janáček’s masterwork without ever overshadowing the intense forward momentum of the music, conducted to dramatic perfection by Simone Young and sung by an all-star cast in Munich. Janáček adapted Dostoevsky for this powerfully compelling opera set in a Siberian prison camp, full of starkly contrasting moods and motifs, unusual in its episodic structure. The last opera Janáček ever composed, its third act was on his desk when he died in 1928; attempts by his students to “complete” his orchestration have largely fallen away over the decades in favor of the original version. Despite the grimness of the setting and the brutality of several characters, the composer’s compassion shines through in tender moments, movingly illustrating his motto for the work: “in every creature, a spark of God.”

Under a scorching sun, seventeen-year-old Purdey and his fifteen-year-old brother Makenzy are left to fend for themselves. While Purdey cleans houses in a hotel complex, Makenzy makes some money by stealing tourists. Between the recklessness of adolescence and the harshness of adulthood, they will have to support each other in this heartbreakingly sweet journey, which seems to be the last summer of their youth.

Six scientists arrive at the creepy Headstone Manor to investigate a strange phenomena which was the site of a mysterious massacre years earlier where 18 guests were killed in one night. It turns out that the house is the place of a satanic cult lead by a sinister monk who plans to kill the scientists who are inhabiting this house of Satan.

Police in Paris recruit an English ship's officer (Michael Craig) to help trap counterfeiters by joining them.

Life for a single mom in Los Angeles takes an unexpected turn when she allows three young guys to move in with her.

Victor Reynolds arrives at the notorious House of Usher, whereupon he is greeted by old acquaintances Roderick and Madeline Usher and their servant, Markus. As Victor uncovers more about the history of the house and the disappearances of those that entered it previously, he begins to realize that he is in mortal danger.

When Kyle and Evie Preston start exploring the grounds of their late grandmother's house they discover an old, abandoned mine shaft and soon find that the old lady's stories about fairies trapped underground were true.

A young man, barely entering the world of adults, feels lost in the modern prison of cities, houses and buildings and their system of complex bureaucracy and false meritocracy. Aspiring to a simpler life far from the masses and their madness, he will try to leave everything...