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La Dueña is a Venezuelan telenovela that was produced by and seen on Venezuela's Venezolana de Televisión. An original script written by renowned Venezuelan telenovela writer José Ignacio Cabrujas in collaboration with Julio César Marmol. The telenovela was inspired from the novel The Count of Monte Cristo written by Alexandre Dumas, though they changed the main protagonist from male to female. Nardy Fernández was in charge of production, José Salas was in charge of the scenery, María de las Casas was in charge of the environmentation, and Tomás López was its director.

Two men bond as one recovers from an attack and the other deals with the impending death of his grandmother.

In a desperate attempt to find a final resting place for their only child, Thomas is surprised to discover that today is not the right day.

In this drama, a provincial girl goes to Paris in search of her fortune. Although she finds the City of Light to be quite different from what she'd imagined it to be, the girl manages to retain her dignity. It is only after she is thoroughly disillusioned by her experiences there that she returns to her country life.

In 1935, in a Quebec village, a boy observes with curiosity the little intrigues of the adult world.

The humble origins of Marilina Bogado, and how she became the paraguayan queen of "Cumbia"

Gilles' wife, Elise, who smiles when she thinks of him, cooks and scrubs and cheerfully makes love to him, suspects during her third pregnancy that he is having an affair with her coquettish younger sister, Victorine. Elise suffers, usually in silence. She listens to her husband rave; she asks her priest; she breaks picture frames; she weeps. She decides on a strategy to keep him. Will she succeed?

Les inconnus de la terre starts like a traditional feature film: in the beginning of the film all the leading roles are given a short introduction. This is followed by a number of interviews, in which the makers unashamedly appear themselves. They include an interview with a lonely shepherd and one with three unmarried brothers who try to run the parental farm for better or worse. Notwithstanding the fact that this mode of interviewing has now become classical, les inconnus de la terre works rather refreshingly. The film is more than just an enumeration of problems. In an honest way it shows the ties of those involved to the land and to nature, in addition to being a plea for the modernization of French agriculture.

Pol is a 14-year-old girl who lives with her father and grandfather, who wants to send them to Russia. Pol must make copies of some documents for his grandfather and on his way he meets Flaco, a boy who is fleeing from another older man who is looking for him.

Simon, a depressed hitman, tries to hang himself in a forest. Bernard, a young man with no history who passes by by chance, saves him. The old man, sick, cannot drive without risking an accident. Claiming to be a rodent controler, he hires Bernard to take him to Cap d'Agde. Simon, lonely and cynical, is forced to travel in the company of this talkative and confusingly optimistic driver.

In 1914, a young woman is taken to a coastal resort by her parents to find her a suitable husband.

Welcome to the enchanted world of capital evasion. The keys to fortune: knowing how to hide, find accomplices and take advantage of all the flaws. The rest of us mere mortals are left with austerity policies and the joy of living in an increasingly unequal world... How far will predators go in this widespread plundering of our economies? How is the political staff complicit? How are we braking? Between Paris and Geneva, Washington and Luxembourg, from Société Générale to HSBC, via Mac Donald, Ikea and Google ... we will track down the circuits of tax evasion and decipher the mechanisms of tax fraud.

Samuele and Marzio, as teenagers, make a promise to be friends forever, but adulthood, women and everyday problems sneak into their lives.