Las Cosas De Pepe Da Rosa Film Complet Vf Gratuit

In 1940's Madrid. Juan plays piano for Pepita and her on-stage partner Mario. Although Mario really wants to steal Juan for himself, Juan is not interested and Mario resorts to a string of lovers as consolation. When he loves (and leaves) a young nobleman, the young man wants revenge.

A young woman ventures into an unnamed city that has collapsed into chaos and disorder to search for her journalist brother.

Julia's life takes place in the bath tub. Drop by drop she will build up the courage to change the order of things.

Lucas is a 12-year-old boy who falls in a strange whirlpool in the garbage vortex floating on the Pacific Ocean. When he wakes up, he finds himself in a peculiar world: Thingdom, the place where all things no longer useful go

Luciano tries to evade the weariness sensation in his life through music and sex in a city that deprives him from pleasure and submit him under the imminent siege of things.

There is a house being emptied. There is an auction in the neighborhood of Flores. Clients fill the place, eager to buy all kinds of objects. There is almost no filter when fighting to get the best price that belongs to the dead, the exiles, the fugitives and the soulless. A reseller who is too preoccupied with the staging, a collector with a past as a fishing worker, and the owner of an antique shop that admits to selling the affections of people, hints at the state of things.

On the way to his exile in Lisbon, Mario meets Silvia, a widow who turns out to be one of his admirers. Silvia has inherited a fortune, leading Mario to resume his career, eventually falling for him. Although Mario has relations with her, he makes it clear that will never fall in love. In Madrid, Juan Pepita and resume their relationship, and because of this the jilted Nena John Colman murders before Pepita, after being arrested. Pepita accepts a contract in Argentina, reunited with Mario. There he meets Tulio, who after starting a relationship with singer eventually ask marriage.

Told in a whisper, this quiet and diaristic film explores toxic masculinity through personal narrative, family legacy, and video games. El nombre de las cosas speaks aloud the unspoken and unspeakable, to give a name to traumas in order to heal them. Deeply poetic and disarmingly honest, director Diego Escobar uses his own story to address a widespread problem of inherited male aggression and all the ways families – and society – cope with and adapt to its toxicity.

A young and dedicated nurse is trying to avoid the pain left by her dear cousin's suicide.

Imagine having an actual conversation after a one-night stand instead of just leaving after sex. This is what happens to Damian and Mateo, who met at a party and ended up in bed together. Neither expected the relationship to go beyond that.

After her parents' death, Victoria ends up in the care of a distant relative, a strict Woman who is convinced that the erratic behavior and sickly appearance of the girl can be corrected by traditional treatments and a regular attendance to church. But Victoria doesn't get better and the Woman's cheek tooth starts to ache. And the more frequent Victoria's visits to the garden shed become, the worse her pain gets.

Winter 2007. Two artists from Argentina receive a grant to develop their work in Montreal (Canada). The only catch? They have to share an apartment. In this way filmmaker Franca González and cartoonist Ricardo Siri Liniers come to know each other. From the moment González becomes the roommate of Liniers, a friendship emerges between them and she makes him the proposal of doing a documentary about him. The film starts with an argument to get Liniers permission to chase him with videocameras and ends up becoming one of the most tender portraits ever done of the artist, reflecting the transcendence that ensues from the simple line of his drawings.

Diego lives with his father in a house with no things, no furniture or anything like it. When Diego comes across an enigmatic wooden chair in the rainforest, his simple world is transformed.

The point of view of a kid and how he faces the loss of a great love. A journey through his mind and his sorrow, that passes through his memories and the things that remain of his intense relationship, toward a liberating fate.

A group of filmmakers arrives in Santiago de Chuco, a town in the Peruvian highlands where the poet César Vallejo was born. With the excuse of a casting, the filmmakers appropriate the theater and the inhabitants of the place arrive, revealing little by little some lives embraced by the aura of the poet, who died in Paris seventy years ago. All of them, inhabitants and filmmakers, are confused between verses, stories and poetry. Fantasy emerges and characters like the blind Santiago-who rings the bells always warning something-; or the young musician Elder - whose desires loom like a cornucopia-trace a liminal path between fiction and reality.