Le Chant De La Carriole Film Complet Vf Gratuit

The song of the cherries resonates under the combined action of an object striking a round-bottomed mixing bowl and its echo. This short animated piece, created with Patrice Fortier and ground cherries from La société des plantes, is part of a larger project developed with this Kamouraska-based organic seed supplier begun in the fall of 2020: a place where plants and plans (shots) meet despite the apparent distance between the fields and the songs.

A handful of migrants without papers decide to start a hunger strike. Day by day, overcoming the violence that they inflict upon themselves, they discover the greatness of their true cause. From this realisation they learn to affirm their common humanity.

Constructed through songs and memories, this acute musical film addresses the traumatic experience lived by young survivors from different parts of Africa. In the French village of Conques, a therapeutic space is provided to them so they might overcome their past and, by singing out loud, allow themselves to think and live a possible future.

Composed of songs and memories, this powerful musical film traces the traumatic experience of young survivors from different parts of Africa. In the village of Conques in France, they found a therapeutic space where they learn to overcome their past and, through song, to imagine a new future.

The Bauls of West Bengal are nomad musicians who practice a traditional form of concert challenged by the increasing modernization of India. The term "Fous" here refers to those inspired and wandering musicians of Bengal known as Baül. The word Baül is derived from the Sanskrit word "vatul," which means "mad" in the sense that it commonly connotes a more or less frenetic behavior in French. The Baül are peculiar individuals, particularly in their mannerisms, customs, and practices. Although they may belong to either the Hindu or Muslim religion, the Baül refuse to be guided by any social or religious conventions. Freedom of spirit is their only guide. They thus move against the tide of habits, preconceived notions, and general theories. "Le chant des fous" (The Song of the Mad) is a film made by Georges Luneau.

The Semperit plant in Argenteuil. Faced with the molten rubber, bodies engage with the cogs of the machines. The hammer drops: off-shoring. Then a symphony pursues the account: rising from the destruction of the machines, of the walls…and of a surprising community.

An ensemble of fascinating characters seek to re-invent and revive a sophisticated early electronic music instrument that is anything but obsolete: the Ondes Martenot. An inspiring but mysterious device that everyone has heard (but rarely heard of), it was celebrated as the musical invention of the 20th century. This filmic, sonic, and human journey explores an intense love affair with musical expression and spins the tale of an enduringly cutting-edge technology on the verge of a major resurgence. It bridges a missing link in the history of electronic music by placing the instrument in a rich artistic and technological lineage.

Twelve-year-old Simon has lost everything to the civil war that has devastated his country. "Black Lion," the ruthless rebel leader of the People's Revolutionary Army, has killed Simon's family and burned down his house. As an expert in weapons and battle strategies, he has formed a rebel group that wants to take power by force with the help of child soldiers. Simon is kidnapped and turned into a child soldier. Traumatized and plagued by nightmares, Simon plans to escape with his comrades while special forces of the African Union prepare an attack on Black Lion.

During the London-Melbourne race, two aviators, one male (Guy,) the other female (Betty), are forced to land on a lost island in Polynesia. They learn to survive in difficult conditions and fall in love. Back in civilization, their union does not prove obvious. Pierre is already married to Ginette, a movie actress, and Betty is engaged to her cousin Edouard. Moreover, Lord Stanton, her rich father, will not hear of a marriage with Guy. Will love ultimately triumph in spite of everything?

Frogs' song

A “reading film” of delirious image and text, Les chants de Maldoror takes its title and inspiration from Comte de Lautréamont’s 1869 proto-Surrealist poetic novel which, for instance, describes beauty as the chance encounter of a sewing machine and an umbrella on an operating table. In the novel’s six cantos, a young misanthrope indulges in depraved and destructive acts. Unexpected encounters abound, with turtles and birds joining Terayama’s regular cast of snails and dogs to wander over books and bare torsos. Feverish video processing posterizes, inverts and overlays images that are further colored by sound—pushing the limits of his literary adaptation. Terayama wrote that the only tombstone he wanted was his words, but, as Les chants de Maldoror demonstrates, words need not be confined to carved monuments or bound hardcopies.

Kabylie, in the north of Algeria, is a region where Berber culture is still very much alive. The residents know that life can be hard, but last summer was exceptional: fires reduced entire hillsides to ashes, and even ancient olive trees perished.

Every year, hundreds of bushcutters go up into the woods all over Quebec to carry out forestry work. Since the 2000s, more than 80% of loggers have come from Africa.

A patient camera glides over the everyday objects: still lives on the wall, flowers in the vase, a swaying drop light. The sun enters the cosy home where Noëlla sits smoking at her laptop, playing Solitaire. The situation is hopeless. She’s going to lose against the computer once again. All the while her son-in-law, Pierre, is organising everything she needs, pragmatic and friendly: breakfast, the (last) doctor’s visit – and then the transfer.

On Christmas Eve, an old miser named Ebenezer Scrooge is visited by the spirit of his former partner, Jacob Marley. The deceased partner was in his lifetime as mean and miserly as Scrooge is now and he warns him to change his ways or face the consequences in the afterlife. Scrooge dismisses the apparition but the first of the three ghosts, the Ghost of Christmas Past, visits as promised. Scrooge sees those events in his past life, both happy and sad, that forged his character. The second spirit, the Ghost of Christmas Present, shows him how many currently celebrate Christmas. The Ghost of Christmas Yet to Come shows him how he will be remembered once he is gone. To his delight, the spirits complete their visits in one night giving him the opportunity to mend his ways.