Le Neveu

Burgundy, France, end of 1945. On the day of his 15th birthday, Louis receives a very special gift from his uncle Jules, who decides to take his nephew to his favorite brothel in an attempt to let him explore his new life as a grown-up man. Through the evening’s bittersweet encounters, Louis discovers the adult world in all its complexity and cruelty.

The plot centers around old Beethoven's fixation on the welfare of his nephew, for whom he fought a lengthy custody battle against his brother's former wife. Beethoven thought she was a bad influence on the boy. Sadly, the nephew isn't receptive to Beethoven's "overtures", and resents his boorish uncle's efforts on his behalf. The nephew is a complete nonentity, lacking in both interest and talent. He seems to wish only to be left alone.

With Moustapha Dao’s second short film “The painter’s Nephew” (1989), he is involved in the adaptation of African tales through the story of young Ali whose nights are disturbed by the characters’ tales his grandmother tells him.

Twenty years ago, Tony Egan's sister went to America. Nobody ever heard of her again. But now, the message of her death arrives in her town of birth. Only days later, her only son Chad arrives, too. Obviously, his mother took a black husband. Soon, Chad falls for Aislin, who has a bit of a crush on him too. But there is an old conflict going on between her father and Chad's uncle. This conflict resurfaces and begins to draw circles, wider and wider.