Le Voyage à Paimpol Film Complet Vf Gratuit

Maodo returns to his home in Nouakchott after a long trip. He resumes his old job as a traveling merchant to support his family. One night, the young family man returns late, which deeply worries his wife and son, who wander around the city looking for his whereabouts.

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

The railway advertisement To Have A Good Trip Let’s Take The Train, had given me the idea of a speedy violent film with plenty of information, the intensity and speed of which cannot be perceived complacently by the spectator. All this gives an aggression to the film not unlike the actual transport system… the train was a pretext and I started to shoot as though I were using a gun-machine, trains and pseudo amusements becoming all mixed up.

Georges Méliès' adaptation of Jonathan Swift's "Gulliver's Travels" is most distinguished, today, for being a color film of the classic story. Color was rare in 1902 (and many years after) as non-tinted color has to be hand painted on the film; this was an arduous task. Also notable is the film's short running time of approximately five minutes. Much of the original work is not covered, but viewers were expected to be familiar with the story, and enjoy the filmed highlights. There are a couple of scenes missing; according to contemporary reports, Gulliver's shipwreck was certainly included. You can do a lot in a few minutes, as Mr. Méliès includes a re-make of his own "Une partie de cartes" (1896), which already looked like something previously covered by the Lumière Brothers.

Ghali is disabled and confined to a wheelchair. He studied in France where he also found love, Christine. On their return to Morocco, Ghali comes up against the difficulties of his handicap. In his situation, it is impossible to find a job, whilst Christine finds a job. Ghali decides to write his memories of childhood.

A trip to the seaside campsites, along the coast from Spain to the Camargue, like the other side of society, a cleverly mixed deck of cards. Each time the filmmaker pitches his tent, he gets to know his neighbors. And, as is often the case in these cases, they tell a stranger what they wouldn't tell their relatives. They talk about themselves, about what matters to them.

In 1994, in Kigali, the capital of Rwanda, during the first days of the Tutsi genocide. Jacqueline, a young Tutsi nanny, returns home, in her village, desperately looking for her children. When she finds them lying lifeless among the corpses, Jacqueline takes refuge in the forest, where she gradually sinks into madness...

The Fantastic Journey was an American science fiction television series that was originally aired on NBC from February 3 through June 17, 1977.

A dream island is home to a family of small rodents, the Agoutis. Untouched by humans, the community of beings are organized harmoniously along the cycle of seasons. Gouti, the eldest of the siblings, is learning about life next to his experienced grandpa. But Gouti is absent-minded. He keeps dreaming of travels, of places beyond. When an exceptional winter storm hits and devastates their island, Gouti and his family are forced to leave. A journey leading to discover other worlds, other species, and above all to self-discovery.

While filming a portrait of Dutch filmmaker Jaap Pieters, he evoked memories of a Lebanese friend who had disappeared, and his desire to trace his footsteps / to track him down. This project matched our own desire to learn about the state of Lebanese cinema today. We offered Jaap Pieters to travel together to Lebanon to seek out filmmakers doing research on the moving image. We met Mahmoud Hojeij, Nadim Tabet, Ghassan Salhab, Nesrine Khodr and Lamia Joreige.

State officials meeting on a landing.

Sean Anderson partners with his mom's boyfriend on a mission to find his grandfather, who is thought to be missing on a mythical island.

An epic journey into the world of dinosaurs where an Apatosaurus named Arlo makes an unlikely human friend.