Les Gens En Maillot De Bain Ne Sont Pas Forcément Superficiels

Made with some "Visible Human Project" data, lyrics and music by Jérôme Lefdup, sung by Nif, mixed by Denis Lefdup, with Paul Jothy on drums...

August 15, Leila and Paul are separated on a motorway service area. Travelers without a destination, they stay there, in search of comfort and tenderness, trying to escape their loneliness by mingling with that of others, that of people who drive at night.

A fight happens during a a big party organized by a couple for their housewarming

A film by Jean Rouch.

A week on St-Martin with vacationing Parisians. Camille surprises her lover Philippe, who's with his wife and children. Lonely Laurette, a secretary, hopes to meet a man. Aziz brings his enthusiastic brother Rafik because his boss had two tickets he couldn't use. Lovers Pauline and the pregnant, cranky Anita find their vacation complicated by an ex-lover of Pauline's. The playboy Jimmy is the hotel M.C., and Carla, free-spirited and sensual, coaches Laurette in the ways of seduction. She is hot and cold to these wiles, alternately attracting and putting off Aziz, hoping Jimmy will try to seduce her, and afraid he might. By week's end, with the help of Camille's diary, we'll know the outcomes.

Called out of retirement to settle the affairs of a friend, Smiley finds his old organization, the Circus, so overwhelmed by political considerations that it doesn't want to know what happened. He begins to follow up the clues of his friends past days, discovering that the clues lead to a high person in the Russian Secret service, and a secret important enough to kill for.

The story of six nobles and one sheepman who become Christian, run away from Romans to a cave where they will sleep 309 years, from Islamic view

Alfredo and Susanna are two well-off fifty-year-olds who lead a stimulating cultural life. He is an architect and she is a psychologist; they live in Rome but spend their weekends at their country home in Umbria, where they love to spend their days walking in the forests or relaxing poolside with a good book. One day, as she goes into town, Susanna sees a girl prostituting herself in the bushes on the side of the road and decides to save her from her unhappy existence, despite the enormous differences that separate their ways of life.

A much-abused cat really hates living with people, so decides to go to the moon for some peace and quiet.

A US intelligence officer, stationed in Germany, is caught in a political dilemma when the Russians kidnap a young Army private, the son of prominent American businessman. In exchange for the soldier's return, the Russians attempt to barter a trade for an elderly German couple who they want for treason.

When morning arrives in Society of Clothes, shirts and pants step outside the closet, transforming into living entities. In the world of the film, everyone exists solely as clothes, wandering into the streets bodiless and faceless. But the routine of this strange place is disrupted one day when a human child with flesh and bones appears, turning their everyday existence upside down.

Directed by Jesús Garay

Behind the glitz and glamour of Tinseltown exists a harsh reality. Lolita is a streetwalker hustling for business on Hollywood Blvd. Julie is a waitress coping with a sexual assault. Peter is struggling to come to terms with his sexuality. Their lives touch each other in ways they never expected.

In 1978, Ruiz was commissioned to make a television documentary about the French elections from the viewpoint of a Chilean exile in Paris’ eleventh arrondissement. But, contrary to the producers’ expectation, the Left lost. Ruiz seized on this anti-climax to make a documentary about nothing except itself – a film whose central subject is forever lost in digression and ‘dispersal’, harking back to his Chilean experiments of the ‘60s. Its political content is deliberately left negligible: it’s hard to tell at the end who did actually win the election, let alone why.

The social ferment in late 19th century Russia which led to the 1917 Russian Revolution is movingly portrayed in this lengthy historical drama, which is very faithful to the 1907 novel The Mother by the celebrated Marxist writer Maxim Gorky (1868-1936). In the story, "the mother" (Inna Tchourikova) has no other recourse than to watch her decent, kindly husband turn into an animalistic, drunken brute as a result of working in the inhuman conditions of a steel mill in the town of Sormovo. When he begins to express his suppressed rage by beating her, she is defended by her teenaged son Pavel (depicted Viktor Rakov as an adult, Sacha Chichonok as a boy). After his father's death, Pavel is forced to go to work in the same factory. However, Pavel and his friends begin investigating Marxism and socialist thought, and work to organize their fellow workers.

Beth, Calvin, and their son Conrad are living in the aftermath of the death of the other son. Conrad is overcome by grief and misplaced guilt to the extent of a suicide attempt. He is in therapy. Beth had always preferred his brother and is having difficulty being supportive to Conrad. Calvin is trapped between the two trying to hold the family together.