Les Rêves N Ont Pas De Titre

In 2007, Lasallien Center opened their doors in St-Michel—one of the most disadvantaged boroughs on the island of Montreal. Meet Paul Evra, the young altruistic director who grew up there and is leading the center and their mission to help feed the numerous families in the area who are food insecure.

Belgian filmmaker Eric Pauwels' meditation on dream, travel and film.

Continuing a saga that began with his previous, 1978 film, Vautours director Jean-Claude Labrecque returns with the French Canadian, Louis Pelletier and puts him in the context of the growing separatist movement in the late 1960s in Quebec. At that time, supporters of an independent Quebec began to consolidate their power under the Parti Québecois -- and the story of Louis and his wife Claudette are meant to illustrate this watershed in Quebec's history. As the film begins, Claudette and Louis are about to get married -- and their wedding day significantly coincides with preparations for the visit of Queen Elizabeth II. Years later, they are well-established in Montreal and are enjoying visits from their family -- and then their lives start to deteriorate. Louis is suddenly out of work, and as he faces the difficulties of finding another job -- and of living precariously -- he becomes more radical, less accepting of the status quo.

Upon returning to Gandiol, his native Senegalese village, after 8 years of being a migrant in Spain, Mamadou seeks to be a positive force for his community. Assisted by his wife Laura, who came from Spain to Senegal, and under the gentle gaze of Yaaye Khadi, Mamadou’s mother, they start sharing and building with their community the “active utopia” expressed in the book Mamadou wrote while on his journey.

Three different dreams of the city, three perspectives, in black and white with a soundtrack from student of John Cage, Bill Fontana... all in camera editing with a Bolex when experimental films meant something on film, raw, from the street, immediate and experiential... influenced by modern dance and the work of Ed Emshweller.

During the summer of 2010 François Daireaux left France in order to discover and experience the city of Daireaux in Argentine. He walked along for days on end, filming the city which carries his name. Throughout his nights at Daireaux hotel, he’s had numerous dreams.

Dreams never die tells the extraordinary story of Yannick Bestaven, winner of the last Vendée Globe. The film is also enriched with portraits of personalities who have realized their dreams: Daniel Auteuil, Isabelle Autissier, Philippe Croizon, Bixente Lizarazu, Thomas Pesquet, Charline Picon, Erik Orsenna and many others. In this particular context, this documentary is a real "hymn to life" that will make the eyes of young and old children shine!

Documentary film by Clio Simon made with young people from the MJC La Maison, a social center in Tourcoing, as part of the Que Faire? program, led by LE BAL / La Fabrique du Regard.

Part of Zineb Sedira's art installation for the French Pavilion at the 59th Venice Biennale. A piece where Sedira explores her passion for the militant cinema of the 60s and 70s.

Travelling through kms of concrete and urbanisation before reaching the ocean.

Pamela is stuck in her contradictions, failures and absolute love for her family, she feels lost and seems incapable of imagining how she could live her life. She will try to find her own way between France and Portugal.

A French television documentary about Pink Narcisus, one of the earliest openly gay art house movies from the early 70’s.

Le Bois de Vincennes is a safe harbour for many Parisians. Migrants and natives, prostitutes and stalkers, rich and poor, old and young, downshifters and loners come to this forest in search of themselves and find there an escape from the metropolis. A delicate and profound portrait of a contemporary man and his desperate search for an 'unknown homeland'.

From the armistice of 1918, which marked the end of the First World War, to the declaration of war in September 1939, the beginning of the Second World War: an era during which there was an aspiration to create a new world, prosperous and at peace, but which provoked a new tragedy, seen through the destinies of thirteen people who were both actors and witnesses of the upheavals of the so-called inter-war period.

Dib moves with his younger brother and their mother from his home town of Quneitra to Damascus after the death of his father. The children’s grandfather, who was known for his tyranny, reluctantly agrees to shelter the grieving family, and tries to force his daughter to marry again. The magic of the city of Damascus takes over the conscience. Dib, whose main concern has become discovering all the secrets of this city, is driven by his heart full of dreams, but he sees nothing in his life except humiliation and cruelty. The fragrance of childhood dies in Dib's heart, as he grows up in light of the political fluctuations that prevailed in the fifties (the end of the military dictatorship in Syria at that time, the nationalization of the Suez Canal, Nasser’s rise to power in Cairo, and Egyptian-Syrian unity in 1958), so that his rosy childhood dreams were shattered on the rocks of cruelty and violence. The city's dreams turn into a nightmare..

The dance performance “Kontakthof” bears the unmistakable signature of Pina Bausch: it deals with forms of human contact, encounters between the sexes, and the search for love and tenderness, with all its attendant anxieties, yearnings and doubts. It is a dance about feelings, which always pose a big challenge – particularly for young people. Teenagers from more than eleven schools in Wuppertal went on an emotional journey that lasted almost a year. Every Saturday, forty students aged between fourteen and eighteen years of age took part in rehearsals that were led by Bausch-dancers Jo-Ann Endicott and Bénédicte Billiet and intensely supervised by Pina Bausch herself.