Little Bits Of Light

The Littl' Bits is a Japanese anime television series with 26 episodes, produced in 1980 by Tatsunoko Productions in Japan. First shown on TV Tokyo, its Saban-produced English translation was featured on the children's television station Nick Jr. from 1991 to 1995 alongside other children's anime series such as Adventures of the Little Koala, Maya the Bee, Noozles, The Mysterious Cities of Gold. Due to their similar size and naming scheme, an analogy is often drawn between the Littl' Bits and the Smurfs.

When his spoiled family forgets his birthday, hardworking and generous successful executive Antonio decides to cut them off unless they work for their money.

Mitsu is a 29-year-old woman who married “the number 2 man in her life,” but has been unable to forget her first love, Arishima. When she accidentally encounters him after several years, she feels that it is destiny, and the two spend one night together in secret without their spouses knowing. Arishima himself has just begun a family of his own, with a newborn child, but he and Mitsu find themselves continuing their affair. While at first they enjoy what seems to be a no-strings-attached affair, it gradually begets subtle changes in feeling. Mitsu’s husband, Ryota, becomes aware of the affair and ups his devotion to her in an attempt to keep her by his side. Arishima’s wife, Reika, a perfect mother and devoted wife, makes this four-way relationship an increasingly complicated web of mixed emotions.

Helen is suffering from chronic depression and uses self inflicted pain as a means of escape. Alex loves her so keeps trying to care for her.

Roberta and Suzana are two sisters, both in their thirties, of totally different beauty and life styles, united by a common goal: to take revenge on their grandmother, a mean old woman who, in the past, turned the little girls' lives into hell, with her strict educational concepts. Since they were very young, the two sisters plan to kidnap the grandmother and now is the long awaited moment. Before Roberta and Suzana leave to the beach house, the setting of their grandmother's terrorist practices, Roberta, while waiting for Suzana at a restaurant, meets Renato, an extremely proper guy who ends up involved in this unexpected adventure. The two sisters' departure leaves Suzana's husband, Alberto, bewildered and he ends up being also part of a parallel mad adventure.

Two drug dealers are arrested by a police officer who runs into them at a spa. A year later, one dealer's girlfriend returns to the place to try to find a hidden stash of money.

In the heart of the city, in the heart of life, in a public garden, there was once a bench, all alone. A moment of respite, a pause. A save haven, a place of shelter, a refuge. A stage. A crossroads. Just a little bit of wood and steel.

A bitter coming-of-age story about boy who grows up in a remote Bosnian village shortly after World War II.

In the metropolitan city of Hamburg, illegal immigrant Chernor, an openly gay African youth with blond hair, makes his money by dealing drugs and dreams of one day living in Australia. Baran, meanwhile, is a Kurdish bicycle delivery boy living in constant fear of deportation, who keeps his past in a video camera. The two form a bond when they meet, and their shared struggles to survive soon develop into a relationship that is threatened when Baran loses his job.

The material of the Newspaper becomes an occasion for a choreographic research on how to create a performance which will be addressed to the young audience (2-5years old). Movement, improvisation, symbolic play and sounds create a world of alternating images and successive transformations of this malleable and ephemeral everyday object.

A documentary story from the borderlands of realism and fairytale.

Sofia. A hot July Friday pits two old rivals against each other. Twenty-five years later they are still boxers, albeit this time they are not wearing gloves.

A documentation about Werner Herzog's motif to do movies.

Irina Evteeva’s debut quickly became a kind of manifesto for the one-room experimental studio: it defines classification by interweaving animation, appropriated footage, feature and documentary to form a unique whole, a film that rushes backwards into the future, thereby re-inventing Futurism. Mayakovskiy is the star; his occasional presence holds together a film driven by the sound, the beat, of his poetry. Evteeva develops a dramatic structure of flaring, fading, being from light: violin strings become rays, quivering dull yellow spots, pictures. The plot assails the material from which it derives energy from material. History, growling and roaring, finds its form.

A look at how an oppressed community can organize and overcome insurmountable odds to gain control of its government-run media in order to overthrow their corrupt governor. The documentary focuses on the non-violent uprisings that began in Oaxaca, Mexico during the summer of 2006

Two crane drivers, one young, one old, are waiting to start work together for the first time. The older driver is an ex-teacher, standing in for the usual driver; he is afraid he may be found out...

A little bit about myself and everyone.

Natasha works as a wedding photographer, her boyfriend Nikita is an aspiring artist. Natasha got pregnant, but she doesn't dare tell the guy about it. He is clearly not interested in children or family.