Lo Que Se Hereda No Se Hurta

A rogue reporter trailing a runaway heiress for a big story joins her on a bus heading from Florida to New York and they end up stuck with each other when the bus leaves them behind at one of the stops along the way.

Mexican feature film

On a flight from Los Angeles to New York, Oliver and Emily make a connection, only to decide that they are poorly suited to be together. Over the next seven years, however, they are reunited time and time again, they go from being acquaintances to close friends to ... lovers?

In the rural desert of Bolivia, where the most important presence is the wind moving between papa flowers and animals, the people who harvest the land, those who built the ancient artifacts and sacred objects and the musicians who play moseñada – songs linked to the first products of the harvest – on the streets of the city have one point in common: labor. With a successful inclusion of stories of enchanted lakes, legends that pass from mouth to mouth – or from orality to audiovisual, in this case – and give a fantastic aura to those lands, Luciana Decker Orozco not only manages to capture life without oscillations . field, but resorts to the incessant movement of images and sound accompaniment to define a sensory and transcendental experience for the viewer.

Christopher Price, a small-town bank executive, continues to be loyal to and idolize his boyhood friend, Joseph Jefferson Parker, a famous war correspondent. But Chris's wife, Mary, is none to fond of Joe and tired of her husband's idolizing. On the eve of the Price's second-honeymoon trip to New York City, Joe arrives and tells Chris that he needs someone to pose as his wife in order to fool his boss in NYC, who thinks Joe got married to an overseas woman while on an assignment. Chris pushes Mary into posing as Joe's wife. In New York, this leads to many complications and misunderstandings, with Mary finally deciding to teach Chris and Joe a lesson by making them believe she is in love with Joe.

The Malacicis, a hard-working Italian family recently immigrated from Florence, open a fancy restaurant in the Bronx, N.Y., drawing the ire of another clan. Mike and Sadie Capomezzo, equally hard-working Sicilian caterers from the area, find they cannot stand Piero and Maria Malacici. But things get complicated when the Malacicis' daughter, Gina, and the Capomezzos' son, Rosario, fall in love.

In a movie studio, a fight scene is underway. The hero, played by Allan Bergner, will make an impression on the heroine, played by Ylva Vendel. But Allan is not prepared to give more than one pale hint of fight; he wants to be presentable in later scenes as well. The director wears his hair.

After being expelled from France for his subversive communist activities, the Senegalese Maoist activist and artist Omar Blondin Diop (1946-73) returned to Dakar, where he joined the Fundamental Institute of Black Africa and, with his incendiary speeches against colonialism, challenged the power embodied by Léopold Sédar Senghor, president of Senegal.

Raoul is a 20 years old student in Paris. Girls are not interested in him, though he is good-looking. He wonders why. Raoul does not look for a great passion, he only wants to be kissed. We will follow his love tribulations.