Manon

At the end of the war, he was hired by Edison and in 1951 he made a film on all the important hydroeletrical plants built in that period. In the following years, Olmi directed around 40 documentaries, including La diga del ghiacciaio, Pattuglia di Passo San Giacomo, Tre fili fino a Milano, Michelino 1aB (written by Goffredo Parise), Manon finestra 2 and Grigio (whose screenplay was written by Pier Paolo Pasolini).

Seventeen-year-old Des Grieux, studying philosophy at Amiens, comes from a noble and landed family, but forfeits his hereditary wealth and incurs the disappointment of his father by running away with Manon on her way to a convent. In Paris, the young lovers enjoy a blissful cohabitation, while Des Grieux struggles to satisfy Manon's taste for luxury. He acquires money by borrowing from his unwaveringly loyal friend Tiberge and by cheating gamblers.

MANONG (1978) was one of the first VC productions produced using industrial video technology, and signalled a transition away from celluloid-based film production for the organization. Director Linda Mabalot's narration, combined with archival images, stop-motion animation, water-color paintings, and poignant interviews with Filipino American older immigrants distinguishes MANONG as a pioneering introduction to an Asian Pacific American community whose narrative mirrors other immigrant groups who arrived to fill a void in America's labor and service sectors.

Young woman forsakes love for luxury, has a change of heart, but is banished for her disloyalty.

Torn between her desire of a life of splendour and riches and her devotion to her true love Des Grieux, the feckless and capricious Manon pays the ultimate price.

Destined for the convent, the young Manon falls head over heels in love with a handsome stranger and decides to flee with him. Yet aspiring to a life of wealth and luxury, she ends up throwing herself into the arms of a rich nobleman. Can she forget her true love? Puccini’s adaptation of the novel by Abbé Prévost had a complicated gestation. An alarmingly long list of librettists succeed each other in trying to satisfy the composer’s demands in terms of dramatic structure and fine verbal detail. Was Puccini struggling perhaps to make his opera sufficiently different from Massenet’s on the same subject? Puccini probably never reached a ‘definitive’ form of this opera but it was his first international success and arguably the first in which the composer found his voice as a musical dramatist. Opera Poznań has entrusted their new production - streamed live on the opening night - to a former winner of the European Opera Directing Prize, Gerard Jones, and conductor Marco Guidarini.