Metropolitan

A radical student is adopted by a group of young New Yorkers, serves as a catalyst to alter his and their lives. Gathering in a Manhattan apartment, the group of friends meet to discuss social mobility, Fourier's socialism and play bridge in their cocoon of upper-class society - until they are joined by a man with a critical view of their way of life.

Opera prima donna leaves the Metropolitan to form her own company with Tibbett as leading man. She leaves this company too which means Tibbett and company must carry on without her.

After a junior detective dies in the line of duty during an active investigation, Detective Masaki Sara of the Tokyo Metropolitan Police First Investigation Division is transferred to Section 1 of the Personnel Division, the internal affairs unit that investigates officers suspected of misconduct. Still traumatized by his past, Masaki is forced to carry out his duties as a lonely outcast as his colleagues shun him as a snitch. One day, a message arrives. It's a tipoff that Saiko Minaguchi, Masaki's former colleague in the First Investigation Division, is leaking confidential information. Although Masaki is reluctant to investigate someone he used to work with, he obeys his boss and starts looking into Saiko. He soon discovers a link to an unresolved murder and some buried facts about the death of his junior detective Saito. What shocking truth awaits Masaki beyond his suspicions and inner conflict?

A shocking love-hate incident between men and women that actually happened [What if it happened in Japan now? ] Full drama from the perspective of. What was the purpose of the genius who was arrested on suspicion of murder, sending messages one after another on the Internet video site and moving society?

A fictitious department "Finger" established within the Metropolitan Police Department to deal with the social problem of keyboard murder = finger murder, in which the victim commits suicide in the worst case, suffering from slander and burning on the Internet.

A year and a half after a strong earthquake and the pandemic starting, tenants from the damaged old city center move to the outskirts of the city. Tensions rise between people irritated by their own differences and by change.

Mozart’s allegorical fairy tale has charmed audiences and inspired artists, for more than 200 years. A few weeks before this telecast, the Met unveiled a new production of the opera featuring the colorful designs of acclaimed artist David Hockney. His bold colors and vivid images enchanted audiences and seemed to inspire the striking cast, led by James Levine’s affectionate conducting. Francisco Araiza is the young prince Tamino, who finds himself in a strange land, forced to undergo mysterious tests so he can rescue, then marry, the woman he loves, Pamina, played by Kathleen Battle. Kurt Moll is the compassionate Sarastro and Luciana Serra is the Queen of the Night.

One of opera’s most beloved works receives its first new Met staging in 19 years—a daring vision by renowned English director Simon McBurney that The Wall Street Journal declared “the best production I’ve ever witnessed of Mozart’s opera.” Nathalie Stutzmann conducts the Met Orchestra, with the pit raised to make the musicians visible to the audience and allow interaction with the cast. In his Met-debut staging, McBurney lets loose a volley of theatrical flourishes, incorporating projections, sound effects, and acrobatics to match the spectacle and drama of Mozart’s fable. The brilliant cast includes soprano Erin Morley as Pamina, tenor Lawrence Brownlee as Tamino, baritone Thomas Oliemans in his Met debut as Papageno, soprano Kathryn Lewek as the Queen of the Night, and bass Stephen Milling as Sarastro.

James Levine leads a stirring performance of Wagner’s epic comedy, seen in Otto Schenk’s classic production. Baritone Michael Volle stars as Hans Sachs, the cobbler-poet at the heart of this story of love, art, and youth vs. age. Leading Wagnerian tenor Johan Botha is Walther von Stolzing, the young knight whose new ideas upset the traditional ways of the mastersingers, and Annette Dasch sings Eva, the girl he loves, whose hand has been promised to the winner of a singing contest. Johannes Martin Kränzle as the pedantic town clerk Beckmesser, Hans-Peter König as Pogner, Eva’s father, and Paul Appleby as David, Sachs’s apprentice complete the stellar cast.

Taylor, a successful professional, is suffocating under the loneliness of being around millions of people. But a ray of light comes from encountering a stranger.

Heartbroken because her future husband has a wife, Nurlela (Eva Arnaz) goes to the city to look for work. After a successful career, many men love her. Unfortunately, all are married. Nurlela turned around to play with these men. Meanwhile, Mugeni (Rano Karno), Nurlela's sister, is asked by her superior, Murtado (Sunjoto Adibroto), to find a mate who looks like Nurlela. Aisyah's mother (Nani Wijaya) also appears who wants to match Nurlela with Jupri (Eddy Riwanto).

Celebrate the tenth anniversary of the Metropolitan Opera's Peabody and Emmy Award-winning series The Met: Live in HD. The broadcast of Donizetti's Roberto Devereux will be presented live on Saturday, April 16 in select cinemas nationwide. In this climactic opera of the trilogy, directed by Sir David McVicar, she plays Queen Elizabeth I, forced to sign the death warrant of the nobleman she loves, Roberto Devereux. Tenor Matthew Polenzani is Devereux, and mezzo-soprano Elina Garanca and baritone Mariusz Kwiecien complete the principal quartet in the bel canto masterpiece, directed by Sir David McVicar and conducted by Donizetti specialist Maurizio Benini.