Moi J Dis Qu C Est Bien

Brother Marie-Victorin (Le Jardin Botanique, La Flore Laurentienne) was 46 when he met 23-year-old Marcelle Gauvreau. Both have been close to death and share the same love of God and Nature. He becomes her teacher, later she becomes his assistant. Their friendship evolves. Marie-Victorin offers Marcelle different readings on sexuality that she hastens to comment on from her own intimate experiences. In an epistolary exchange that will last until the death of Marie-Victorin, they explore human desires and "biology without a veil". This great chaste love, the love of Quebec's flora, pushes them to question their own relationship with love and Nature.

Handsome pediatric doctor feels unfulfilled, until his affection for a 12-year-old opens him to a romantic view of the world. When she falls ill, he must get closer to her, and a conflict of interests and ethics arise. His medical reputation is at stake.

Chantal Akerman meets with elderly Jewish women in Paris, all of them survivors of the Shoah, and listens to their family stories. Between interviews, Akerman's mother Natalia speaks of her own family. Made for a French miniseries on grandmothers.

Two couples, undermined by frequent scenes, fall apart: the men, Richard and Bertrand, directors of an advertising agency, move into their office; soon Lucien, their main client and friend, suffering from the same afflictions, joins them in this new bachelor life. For their part, the women regroup and organize themselves: Victoire absorbs herself in her work as a decorator; Charlotte, long submissive to Richard's personality, raises her head and finds a job; as for Pascaline, she runs off with Tabard, her husband Lucien's groom, to start raising sheep. These three crises, combined with a series of twists and turns, bring unexpected results for each of the couples.

Cécile thinks one thing and its opposite. She wants one thing and its opposite. She doesn't know what she thinks or what she wants. So she talks about one thing and its opposite.

Following separation from his boyfriend, Andy meets Dédé, an intriguing young woman who makes a real impression on her. For a day, she is all aflutter.

André Courvalin, a merry bachelor, considers marrying, but not his exuberant mistress Aurélie. He would much rather wed sweet Suzanne. Trouble is that Suzanne is already engaged to Yves, one of his friends. But every problem has its solution. Accordingly, André finalizes a cynical stratagem. He sends Yves to negotiate his own breakup with Aurélie while he warns Aurélie's husband about Yves' presence by her side.All goes according to plan : Yves is mistakenly taken for Aurélie's husband.

On the Côte d'Azur, a beautiful adventuress and a strange German tourist set themselves the courteous challenge of discovering a war treasure lying at the bottom of a bay. But Basta, an old original who alone knew the location of the wreck, is murdered. And Pitou, the jovial nightclub owner, is determined to get his hands on all the loot.

Reviving the traces, yellowed by time, of a life carefully filed away in archives; giving body to one of 20th century Poland’s most beautiful poetic voices; building a memorial and a vibrant tribute in the most rigorous and masterful documentary tradition… These are the promises kept by Not all of me will die. Zuzanna Ginczanka was shot in 1944, at the age of 27, just as she was gaining recognition in Polish literary circles.

A family of farmers has to deal with the retarded elder son. He gets everybody bored and tired of him, even his cow to whom he goes to talk to several times a day.

A father tells his story to his eight-year-old son. Pictures of his past in Algeria come back in flashback : Bab El Oued, la Madrague, Sidi Ferruch, Chenoua, Tipasa, Oran, Constantine, Candle , the Kabylie, the light, the noises, the music, the events, the last hopes.

When a young woman named Aurélie throws a fit of jealousy at her husband and her lover, daily life becomes more complicated.

Héctor travels from Hermosillo to Mexico City in the hopes of posing naked for photography collective Feral. His friend Carlos chooses not to go with him. Héctor, determined to experiment with his desire without limits, promises himself to always say yes while in the Aztec capital.