Moi J

Aldo and Marco are twins. Marco, a priest by trade, has always been an object of pride for his mother, while Aldo has already spent six periods in prison. Always on the lookout for money and pretty girls, he lets himself be hijacked by crazy, often dishonest operations, which fail most of the time. One day, he is forced to flee to Tunisia, dressed as a priest and posing as Marco. There he meets up with Prosper, a childhood friend, whom he lures into his race for millions and beautiful summer girls. Marco, delegated by the Paris police, arrives in Tunisia to limit the damage, but only makes it worse. Once again, Aldo has to disappear into the wilderness for a while and make himself forgotten...

Julien and his mum care for each other very much. But Julien has committed a deadly sin: he is growing into a teenager! Worse, he has found himself a girlfriend of his age. "Mummy" is not going to tolerate such an ignominy. Julien is HER baby and will remain HERS for ever, encouraged in her "crusade" by her bovine husband and barely thwarted by the more courageous interventions of Suzanne, Julien's sympathetic big sister.

Agathe Villanova is a self-centered, workaholic feminist politician who, upon reluctantly returning to her home in the south of France to sort out her mother's affairs, runs for a local election. Upon her arrival, Agathe grudgingly agrees to take part in a documentary being made by the blundering duo of Karim, an aspiring filmmaker, and self-professed "reporter" Michel, on the subject of "successful women." As Agathe's life hilariously unravels, the camera is there to capture it all.

Nour, a 14-year-old boy, is enjoying the summer holidays in the South of France. He is the youngest of four brothers. They live together in a council estate, caring for their mother who is in a coma. Nour dreams of escaping to a faraway place. When he crosses paths with Sarah, an Opera singer teaching summer classes, he finds the opportunity to come out of his shell and explore new horizons.

Two parts magical drama and one part straight documentary, this outing from famed ethnographic filmmaker Jean Rouch is set somewhere in Nigeria near a small village.

A lifelong fan of Charles Aznavour, a drifting 50-year-old man one day sets out to meet his idol.

Authentically painful study of an ill-matched couple's forlorn attempts to revive their relationship after a two-year break.

Cesar is a young schoolboy living in Paris with his family. Their life is ordinary, but Cesar wants more excitement (which he creates, in one instance, by claiming to his teachers that his father has been arrested). During the school holidays, Cesar and his friend Sarah decide to help their mutual friend, Morgan, find his father who supposedly lives in London. Each one tells their parents that they're staying with the other two, and together they sneak out to begin their search.

Benedict missed Mother's funeral. He was stuck in the Eurostar. In the offbeat as always, and a little pitiful, he joined the family home to find his brother, his two sisters - and in a merry bazaar, many memories. There, in the remnants of his childhood, in the intimacy of his room, he sees her - She is waiting for him. And she will not let go.

A bungling robber steals and resells for next to nothing a seemingly worthless piece of art that had 50 00$ belonging to a member of the Marseillaise Mafia hidden its framework. Dressed as a priest in an effort to hide from the dangerous threats, he is then mistaken by two police officers for Claude Laurin, a police investigator who they think is undercover.

After spending a decade in prison, Annie returns to her hometown, and tries to reconnect with her now-adolescent daughter Sophie.

Why do the comic-strip Adventures of Tintin, about an intrepid boy reporter, continue to fascinate us decades after their publication? "Tintin and I" highlights the potent social and political underpinnings that give Tintin's world such depth, and delve into the mind of Hergé, Tintin's work-obsessed Belgian creator, to reveal the creation and development of Tintin over time. Rare and surprisingly candid 1970s interviews reveal the profound insecurities and anxieties that drove Hergé to produce stories that have not only entertained millions of children but also helped to satisfy a personal longing for self-expression.

Quentin and Antoine are 18-year-old twins. Without their father knowing it, they set out on a voyage to Spain, where their mother's funeral is to take place. The two brothers barely knew their mother. Their hitchhiking journey is full of encounters, arguments, reconciliations, and experiences. Their time on the road also reveals their differences, the splits in their attractions, and the confusion of their feelings.