Moving On

After the murders of three students in Puebla, Mexico, the local community from the biggest universities in the state rise to demand for justice and protest about the insecurity that they live in.

In 1970 the director Lyudmila Stanukinas made the documentary film Moving Day, which that same year won one of the biggest prizes at the Krakow Film Festival. The film was a montage of footage shot in the course of a single day, which was a revelation for the documentary cinema of the time. In February 1999, Stanukinas (every one called her Lyalya) left her apartment in Jerusalem following the death of her husband and constant co-author, the director Pavel Kogan. The filmmaker Felix Yacubson, who at the time was living nearby, captured this moment for his video archive. When Lyalya herself passed away in July 2020, he edited the 25 minutes of footage to create a 10-minute film.

Five exhibitions were canceled due to the COVID-19 pandemic. At the end of March 2020, I left the house in Shinjuku where I lived for 6 years. I could not arrange a mover because my income was gone. I decided to carry the luggage myself. This is a documentary video of my six-hour move to my new home in the suburbs.

There is very little information available online on this little gem, the first 'feature-length' film shot exclusively in Iceland by an Icelandic director, the pioneer Loftur Guðmundsson. Director and crew travelled all around the country with the ambitious goal of documenting all the aspects of the local life at the time. Fishing plays an important role (being then, by far, the number one national industry); one can also witness the humble beginnings of 'city-life' in the capital, one of the first (or was it the very first?) cars driving in Iceland, beautiful pastoral shots of farm-lands, ladies posing in the national costume, as well as fighters indulging in the national sport, 'glyma'. The 21st century traveller will be able to recognize a number of landmarks. The images are often naive, genuine, and captivating. In my opinion one of the most valuable Icelandic films. --Ewolve

It is a work that gazes at the distance between stillness and movement, between scene and scene, between different entities and time and space. It pays attention to the usage, movements, and possibility of variations of the diverse 'distances' that exist between them. If it takes a long time to move from one scene to the next, and if there are things that can only be seen after some time or from a distance, the 'time-distance' is necessary for an image to appear and disappear. What if this work captures this 'time-distance'? When a scene/image contains a single space-time, it might enable different time-space, objects, matter, non-matter in a far distance to meet, even for a brief time. Based on such ideas, the work connects one scene to the next, the voices of anonymous speakers to another. It captures the distance and the sense of distance of the things that do not stay and cannot be reached. By doing so, it seeks possible formless connections and temporary coexistence.

While slugs move across the kitchen floor, Noémie sketches a portrait of herself that is shifting and fragmented, on the border between the personal sphere and the hubbub of the world.

When a young man looking for a good driving instructor for his mother receives a recommendation by an employee in one of the specialized driving schools to hire Hend (Ayten Amer), he soon starts falling in love with her.

Using expert interviews and historical research, this documentary seeks to solve the mysterious assassination of Spanish poet Federico García Lorca.

A father. A son. And a dance floor. How far can we run from God? Can we ever do enough to make Him give up on us? Moved By Mercy transports us to the heart of the conflict between the crippling feeling of guilt and the lavishness mercy, and shows us how a Father's love can overcome all wrongs.

This stellar documentary explores the career of the Beastie Boys, from their hardcore punk beginnings in 1979 to their 2011 release, "Hot Sauce Committee Part Two." Rare footage and photographs, along with interviews, shed light on the enduring band.

Documentary about Jean Tinguely and his work.

Thomas Harlan, filmmaker, author and revolutionary was born in 1929 in Germany. His father was the infamous propaganda filmmaker Veit Harlan, director of Jew Suess. During his childhood, as a result of his father’s closeness to the Nazi Party, the little Thomas came face to face with Hitler and Goebbels. Now an old frail man, Harlan lives in a respiratory clinic in Berchtesgaden. It is in this clinic in South Germany that he, along with documentary filmmaker Christoph Hübner, examines fragments of his past.

A film essay on Ballard's fiction, and its unrealised cinematic potential, with particular reference to David Cronenberg's (yet to be filmed) Crash, featuring an interview with the director, prior to making of his film.

In this program that aims to sharpen your child's social, physical, cognitive, and emotional development through play, the kids get on their feet to learn all about movement. In addition to learning about the importance of warm-up stretching and getting a crash-course in the concept of dance, kids are introduced to the concepts of speed and size, move about to popular motion-based songs, rhymes, and games, and more.

In 2014, an unknown man in Ukraine tattooed a portrait of a relative of a filmmaker in his traditional Native American regalia. Stitched together from footage of the search for this man, the film interrogates what happens when the control of an image is lost and the time’s circular ironies.

Hired to move house for a patron, furniture, appliances and cutlery pack up and move on their own, headed up by a team of baskets. Often confused with Cohl's film Le Mobilier fidèle (1910).

Dad has his own armed mercenary squad in the Sansuo zone (Golden Triangle of Southeast Asia). He specializes in receiving some jobs to protect employers and rescue hostages. One day Dad received a call from an old friend 'The rich businessman should be the boss' Dad's mercenary squad went to rescue the kidnapped daughter. Dad led the five-member squad and successfully rescued Ying's daughter from the drug dealer 'Kunpa'. When he took over his daughter with Ying's boss, there was a sudden accident. The little wife is the mastermind behind the scenes. The little wife kidnapped Ying Bo and Ying Bo's daughter, and forced Ying Bo to hide all the property. The father's 'Na Zhan' had the same belief as Miss Ying, and was rescued by one person alone. Boss Ying and Miss Ying, did not expect that behind the smooth rescue was another trap set by the little wife.

Zhansaya and Moldir are abysynki (Kazakhs call each other wives of their brothers). They live in the same house and get along well with each other. They are united by a common enemy — a tyrant mother-in-law. But when Zhansaya thinks about moving out with her husband to live separately, Moldir develops the same plan. Accidentally hearing that the mother-in-law will release the worst kelin, and keep the good one with her, a battle begins between the girls.

Happy fun times with a little crew of people driving around to backwater villages to show movies in places where the locals don't get much culture. But all good things come to an end...