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Under one roof, three generations—a trans mother, Jia-Lin; her adopted son, Yu; and a grandmother—struggle to connect and understand each other, causing their lives to drift further apart each day. While Jia-Lin strives to present herself as a strong woman at home, she finds that her only outlet for expressing her emotions is through her theater acting.
Jiaming moves from Hong Kong to Beijing for work, and his girlfriend Zishan follows soon after, fearing that a long distance relationship might fail. Living together in Beijing, they find themselves constantly quarreling, and Zishan discovers evidence that Jiaming had cheated on her. Will they be able to save their relationship?
Two kind but foolish sisters live together in their villa in a small town in South Bohemia. Fany (Natasa Gollová) has never married and Andelka (Eva Svobodová) is a widow. In the morning, the two sisters go into town. They need to buy fuel oil, put money in the bank and give plums to the teller. In the meantime an smallish orange Skoda MB car parks at their house, with Hermínka (Iva Janzurová), the old ladies' niece, and her fiancé Michal (Jirí Hrzán) in it. Michal has forgotten to bring flowers and has to go into town to fetch them. At the bank, Fany wants to deposit money but the minute the teller opens the safe, a thief arrives. He knocks the teller and Fany unconscious and runs away with the money. When Fany comes to her senses again, she sees Michal and accuses him of being the thief.
A doctor who died at a young age due to the metastasis of a malignant tumor to the lungs after cutting his right leg below the knee due to osteosarcoma. The title "Asuka" is the name of the eldest daughter, and "Unseen child" is the child whose wife was pregnant at the time of her death.
In the past fifteen years, the Asian art market has exploded. Chinese collectors now spend more money in auction than Americans and Brits, while a new generation of Asian artists are reshaping the world’s artistic palate. My Dear Art depicts the wonders and absurdities of the Asian art market. From China, to Singapore to London, it profiles the artists, collectors, gallerists and experts who are changing the face of the art business forever and asks fundamental questions about the value and role of art in modern society.
Soso is a girl engaged to a rich man, but she does not love him. By chance, there is a singer named Soso whose voice a naval officer admires. He keeps sending letters to her, and by chance she sends a picture of her sister to him.
Yash, a young boy, is diagnosed with autistic traits and therefore his father Sameer disapproves of him. Though incredibly talented, Yash, struggles to attain acceptance and respect in society.
Editorial, poetic and kind, Stella’s aim for the film is that the queer community sees it and immediately knows that “this was made with love, not with the usual ‘once a year rainbow’ vibe”. At its core, the film makes space for multiplicity: “As a queer director myself, I really wanted to strike the balance between telling true queer stories, which are sometimes sad and sometimes happy.” The intergenerational cast was asked to write a letter to their younger/older self. A selection of quotes acts as the collective voice of the film.
A grade-schooler with crippling anxiety, 8 year old Luke reluctantly spends time with his free spirited Aunt Sally. In the midst of arcades, ketchup stains and axe throwing, he learns the powerful lessons of taking risks, making mistakes and dealing with adversity. Like Sally says, “It’s what you do after the bird shits on you that counts.”
Khaotom thinks back to the time he and his grandfather were together again.
Was that change like this...?! Sweet seniors, cute juniors, and old childhood friends.
People who confuse me. In a whirlwind of love, Hanul faces new changes and choices.
Victor & Miranda try and resolve their failed marriage only after they independently attempt to kill each other on the same night.
A young woman inherits a newspaper whose editor refuses to hire lady reporters.
At the waterside surrounded by factories and waste lives a white frog. It loves a goldfish who also lives in the neighbourhood. Recently the goldfish appears to be in poor health, which worries the frog.
A quiet sense of impending change threads together scenes from director Aragon Yao’s own life. Calls from his parents in China inquiring after his marital status blend with calls from his boyfriend asking about his job prospects, each underscoring the reality that the student visa that brought him to Europe will soon end. With time running out, Yao faces tough questions about his relationship with his family, culture, and his sense of self. Seeking release, he turns to drag. Shifting between observational footage, paper puppetry, and poetic symbolism, Yao explores expressions of sexual identity in this essay about queerness, immigration, and performance.
On the surface Emma's life seems perfect, but one mysterious telephone call changes everything.
Nowadays Parenting My Dear Child is a show that provides parenting/child caring consults to families. The clients - usually parents who have problems with child care - asks to help them how to care for children properly. Then, a group of celebrities who have experiences in child care, as well as child care and parenting experts, will offer solutions and helps training. The show also provides knowledge and trendy information on how to raise the children. Ultimately, the program aims to make changes in families, relatives, friends, and everyone in society for providing better care for children.
My dear Mummy` tells another different campus story, scripted by Biju Vattapara. The Movie revolves around the lives of two women