New York

When Charlie's old friend from Scotland Yard is murdered when they attend a police convention in New York, Chan picks up the case he was working on.

The camera platform was on the front of a New York subway train following another train on the same track. Lighting is provided by a specially constructed work car on a parallel track. At the time of filming, the subway was only seven months old, having opened on October 27, 1904. The ride begins at 14th Street (Union Square) following the route of today's east side IRT, and ends at the old Grand Central Station, built by Cornelius Vanderbuilt in 1869. The Grand Central Station in use today was not completed until 1913.

Gotham tells the true story of what happened in New York City during the twenty years from 1993 to 2013. How did a city with over 2200 murders, 93,000 violent robberies and 147,000 car thefts in 1990 become the capitol of the world a mere handful of years later? This feature documentary explores what happened during these decades, told by the people who did the hard work, some at great personal and professional cost.

A young woman risks being ostracized from an insular New York clique led by her socialite best friend when she falls for a charming photographer.

A look at the creation of The Pogues' song "Fairytale of New York".

The story of five young people's unique first experiences in New York City.

Eat This New York is the story of two best friends' struggle to open a restaurant in the food capital of the world. As Billy Phelps and John McCormick suffer through financial crisis, the loss of their chef, and a crumbling relationship, the filmmakers turn the camera on New York City's legendary restaurateurs who prove that dreams can come true. Billy and John's gamble to open a restaurant together takes shape on Division Street, a unique block in Brooklyn that separates the Satmar Jewish community of Williamsburg from the Latino neighborhood of the South Side. During the course of a year, they convert a former check-cashing shop located under the elevated train tracks of the J/M/Z subway lines into a retro speakeasy. But before the restaurant is fully built they come close to bankruptcy and almost call it quits on their friendship.

Alicia Keys - Live in New York Concert (2009)

Riverdance, the Irish hard-shoe sensation that took PBS viewers by storm, underwent its second incarnation with Live from New York City, a 1996 performance filmed at Radio City Music Hall. While most of the attributes from 1995's Riverdance: The Show remain--the dazzling ensemble choreography, Bill Whelan's energetic score, and the New Age-y view of Celtic mythology--the most significant difference is at the top, where Colin Dunne replaced bombastic lead dancer Michael Flatley. Though lacking Flatley's bravura, Dunne is a superb technician who works well with Flatley's former co-lead, Jean Butler. Flamenco dancer Maria Pagis returns, as do the Riverdance Singers (formerly known as Anuna) with soloist Katie McMahon and the orchestra with fiery fiddler Eileen Ivers. About a half-hour longer than the 1995 original, Live from New York City expands upon the second act's theme of the Irish leaving their homeland

Jack Oakie plays Eddie Doyle, a gumball machine salesman who marries Pat Smith (Shirley Grey) knowing full well that the girl is on the rebound from a failed romance with aspiring Jewish doctor Max Silver (Leon Ames). But when Pat is nearly killed in an effort to protect her husband's gumball machines from hoodlums and is in need of a lifesaving operation, Eddie calls on Dr. Max

A collaborative film created by Michel Gondry and Julie Doucet

"Dylan, a New York photographer who killed Dilber's husband as a result of an accident, is unable to deal with his guilt. he begins his search to find Dilber and apologize for the death of her husband. While Dylan is in the middle of explaining himself to Dilber, the deceased husbands brother, Murtuz, over hears their conversation. Dylan is left with no choice but to run away as Mürtüz chases him around the block. He ends up accidentally imprisoned in the home of his enemy

A crumbling pier, its walls covered with graffiti and erotic frescoes reminiscent of pagan Pompeii, the locus of the seduction rituals of men longing for men, is the focus of this meditation on gay cruising at the height of sexual freedom before AIDS. Shot in 1982, this is the first segment of a film capturing the life, death, and rebirth of the legendary “sex piers” over the last three decades.

In squeaky-clean New York at the turn of the century, playboy Charlie Hill falls so much in love that he can walk on air. The object of his affections is beautiful Angela Bonfils, a mission house worker in the Bowery. He promises to reform his dissolute life, even trying to do an honest day's work.

Road to XLVI chronicles the improbable playoff run of the 2011 Super Bowl Champion New York Giants by presenting the original television broadcasts of each of their four post-season games.

New York Noise is a one-hour indie-rock music video television program which aired from 2003–2009 on NYCTV in New York and parts of New Jersey and Connecticut. It was created, produced, and edited by Shirley Braha and funded by New York City under the Bloomberg administration. The show was "devoted to music videos, live footage, and high jinx from bands that ride the L train.". According to the New York Times, it is "a groundbreaking show that has attracted a loyal following among musicians " It is no longer in production since the station's rebranding in 2010, despite a petition & campaign which attempted to save it. The show's website is NYNOISE.TV Notable bands & personalities that have hosted episodes include Animal Collective, Vampire Weekend, Fischerspooner, Beirut, The National, Au Revoir Simone, Aziz Ansari, Eugene Mirman & more.

Extract from a journey. With bridges, cableways and cats.

A parable of the missteps of life enacted in the hothouse world of late 1980’s New York, in which the art market and the stock market each boomed, and in process spawned a smorgasbord of “yuppie” delusions which still persist. Anna, a French actress studying in New York, crosses paths with a successful stock-broker, Mark, standing before a Vermeer portrait at the Metropolitan, thence ensues a peculiar romance of missed meanings and connections, with tangential asides to the steaming arts world and stock market, loft-mate conflicts, and, perhaps, love. Wrapped up in their blindered worlds, Anna and Mark deflect away from their chances, leaving at the conclusion the wistful face of Vermeer’s portrait enigmatically asking questions. All the Vermeers in New York is a comedy of manners which, as gently as a Vermeer, looks beneath the skin of this time and place, and of these characters.