No Echo

Avner (45) is a chief engineer at the Carmel Tunnels project. One evening, when he returns home from work, he finds a traffic report in the mailbox. But what really gets his attention is the fact that in the photo, in the car, he sees a man sitting next to Ella, his wife. The man puts his hand gently on her neck. Avner cannot see his face. Being the man he is, a man of reason, logic and hard proof, he doesn't talk to her about it, but instead he gets a recorder, and begins to secretly record her telephone conversations, turning into a spy in his own house.

The movie, based on a story by Yuri Nagibin, depicts a young girl Vika enjoying the last days of summer vacations in a sea resort somewhere in the south.

A guy is sitting in his dark room and reads his mother's obituary.

A young man living alone in his attic, wishes to publish a book of his dreams. He records his dreams on a small tape recorder while he falls in and out of sleep. Then when he awakens, he writes of these dreams on paper. His dreams consist mainly of memories and recollections of his youth.

Reflections on the moral values that develop in a person during school years. The author tells about his former school in Mazsalaca.

A trumpeter returns to his town for his grandfather's funeral.

A 16mm amateur film.

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Echo (Persian: پژواك‎‎) is a 1997 Iranian Drama film Written and directed by Hossein Shahabi.

Gaia is a young woman, a bass player. She receives harsh echoes from the masculine world surrounding her. Out of desperation, she runs away. The escape becomes a quest for her own echo to define her.

Anna is a teacher at the university. Since recently, she pursues a young student. She is attracted to him.. What is the reason and how strong is the woman's obsession could be?

Kamal Hachkar explores the 2000-year-old Mellah in his family's village of Tinghir, Morocco, and follows the trail of the town's once substantial Jewish population to its emigres and descendants in Israel. In the film, he weaves back and forth between his city's old Jewish quarter and Israel, where he meets Sephardic Jews who still hold tight to their Moroccan identity. Presents the story of a long-term collaboration between Jews and Muslims that eventually fell apart. As Hachkar tries to understand exactly what happened, he simultaneously seeks a better way forward.