Noir Et Blanc

Antoine is an accountant, uptight and withdrawn, married to Edith, who picks out his clothes and shoes. He's assigned to a fitness gymnasium for a month to straighten out their books. The owner, M. Roland, encourages Antoine to use the facilities, including the massages, so Antoine goes to Dominique, a muscular African. In these sessions, Antoine discovers that the pain is comforting, and Dominique finds the accountant ideal for his own sadism. When Dominique breaks Antoine's arm and then goes to the hospital to take Antoine away, Antoine confesses his fascination with and fear of death. With Dominique's help, the accountant breaks all earthly ties to confront his fear.

Noir et Blanc, a 16 mm black-and-white film also presented at the Guggenheim, literalizes this sense of reaching an endpoint: The four-and-a-half-minute, fully abstract variation on Kodak’s theme was created using the few remaining rolls of double-sprocketed black-and-white film the artist could source. There are now apparently none left in the world. Where does Dean go from here?

Black like the darkness of souls... White like the longings of the lost... It is not a clash of colors but a struggle of ambitions, a struggle of greeds There is peace only in execution and annihilation of the other… Yet the most intense struggle is not yet resolved… Who will win?..

"Before we started work on the film "Les Favoris de la Lune" , I tried to capture on film my first impressions of the city and the people who inhabit it. This etude of Paris, slightly shortened, was shown on television." -- Otar Ioseliani

A one-night stand with an entertainer threatens to destroy a woman's marriage after she gives birth to a black child.

The misadventures of a traveling theatrical company, as the actors attempt to put on a show while romantic rivalries erupt backstage.

Tardi en noir et blanc is a documentary portrait of French comic auteur Jacques Tardi, one of the world's most significant graphic novelists. Director Pierre-André Sauvageot followed Jacques Tardi for two years to create this intimate insight into Tardi's creative process: from his research into political and historical topics to the actual drawing of his graphic novel panels.

Features Aimer's first concert held at Nippon Budokan held on August 29, 2017, in which she performed various songs, ranging from hit tracks "Chocho Musubi" and "Brave Shine" to new songs "Hana no Uta" and "ONE."

Hu Jie is a prodigious independent Chinese filmmaker who has produced and directed thirty or so documentaries. Also a master of wood engraving, Hu Jie breathes new life into the expressionist tradition of Käthe Kollwitz. In his works — including those produced in Paris for this film — Hu Jie recreates terrifying moments of organized crimes against the Chinese people during the famine of the “Great Leap Forward” and the “Cultural Revolution”. Bertrand Renaudineau’s and Gérard da Silva’s film offers Hu Jie his first chance to tell how he was a wood engraver before becoming a filmmaker; how, he freed the “soul of a young martyr”; and how his prints and documentaries have helped convey the experiences of the Chinese to people all around the world. (René Viénet)

Alice, having trouble with her self image, tries to hide her weight and eating disorder from her school and parents.

A black male dancer in a white room, white noise and variable shutter speeds in camera editing, reflections on dance, race, the gaze, the OTHER, play, voyeurism and spontaneous response.

A superifical woman finds conflict choosing between her abusive husband and her vain lover.