Numéro 9

A French variety show.

At the age of nine, Rebeca is sold by her grandmother to the bookseller who ran Rocinha. Disputed by bicheiros and drug dealers, the community is going through changes in power. Rebeca becomes the wife of the chief drug dealer and, with the death of her partner, his successor. The electrifying trajectory of crime, violence, drugs and love of a female drug kingpin in Rocinha, Rio de Janeiro in the 1980s.

An jihadist attack in the old town of Bilbao ends with the lives of seven people and leaves more than thirty badly injured. The police investigation focus on catching those responsible for the massacre.

In the eighties comes from overseas powerful, unstoppable, the wave of hip hop. Few years later the rap music begins to take roots in Italy with the firts album in 1990. Thus began a golden age that from the undergrowth of the counterculture reaches a diverse audience, passing through the masterpiece of Sangue Misto, the evergreen Kaos and Colle Der Fomento, until the commercial success of Neffa, Frankie Hi-Nrg, Sottotono, Articolo 31 and the debut of a young Fabri Fibra. Then, suddenly, the dark at the dawn of the new millenium. Why? An epic, unique season of musical creativity narrated by its big players and accompanied by the voice of a talented and renowed freestyler grown up with those great musicians: Ensi. - Written by Bisi, Enrico

Jean-Luc Godard mixes video and film in his Grenoble studio, discussing how he secured funding for the film. The action unfolds on two monitors, as a young working-class couple lives in a claustrophobic, high-rise apartment complex and marital discord is set off by the wife’s infidelity.

Peppino, a retired hitman for the Camorra, has now fully passed on his job and know-how to his single son, Nino. But when Nino is brutally assassinated, the old man is back in business to take revenge. Aside his everlasting love Rita and his longtime henchman Totò, Peppino will go to any lengths, even if it means bringing the Camorra down.

A brilliant and determined female engineer is approached by a network of powerful women with an offer to help become the head of a CAC 40 firm. The conguest, which was at first thrilling, turns to complete war with the men who still dominate.

20-year-old Ousmane Diallo is the new international football star. On a night that will mark a turning point in his life, he has to choose which national team he will play for for the rest of his career.

El Número Uno is a Spanish talent show which started in March 2012. In this TV show a group of five judges will evaluate 100 contestants to be 'The Number One' of music in Spain.

A family portrait in which the director profiles his grandmother, Odette Robert. Eustache includes in the film the conditions of its production — he is seated at the table with her, pours her some whiskey, speaks with the camera operator, manipulates the clapboard at the head and tail of the reels, and even takes a phone call. Robert, who was seventy-one, speaks rapidly and tells the story of her life, starting from her early childhood in villages in the Bordeaux region of France. A shorter version of the film ("Odette Robert") was edited in 1980 to be broadcast on television on TF1. The complete film only gained exposure in 2002, when it was salvaged by Boris Eustache, Thierry Lounas, João Bénard da Costa, Jean-Marie Straub, and Pedro Costa.

Seija Kuula is a superstar singer and an ageless goddess with a career spanning decades and decades. Problems start to arise when Seija falls in love with a younger guy and everybody around her seem to suffer from a bad case of baby fever. Seija orchestrates a masterplan to make everyone happy only to realize that one can not play with love. 70 Is Just a Number is a warm and humorous coming-of-age story – at 70.

This is the story of a Greek physician who collects pendants and bracelets. This is the story of an Italian woman who has been fighting for 15 years to «make bodies talk.» This is the story of those who watch over the forgotten migrants.

Ronald is further in life, but does that mean he has become more mature? Not quite. Ronald explores his lack of self-control in his own unique way: with an unprecedented amount of (verbal) energy and funny anecdotes.

A man whose name is constantly changed by the other people.

The single frame is the only visible unit in film, yet it is nearly invisible. To see a single frame goes against the nature of cinema; even if that is its very nature. If every frame holds the same image, there will be no movement; if they are completely different from each other, there will be no movement either, but chaos. By using a still camera like a film camera and a film camera like a still camera, Numero 4 rides on the edge between film and photography. One unedited super-8 camera roll.