On Becoming A Water Bat

A young boy named Espen Søplekladden is leaving home. He starts to work at a jazz café named "Balla Jazzhus". But his evil brother is trying to make everything bad for him.

Third installment of the series documenting director`s mother dementia, here the central focus becomes death and how to prepare for it.

A coming of age story about a young man trying to make a name for himself as a serial killer in modern society. He believes finding the right victim will give him the infamy he believes he deserves. The young man travels to his local train station to find the right person coming off the train to kill.

The film is about a young poet who left the war for Turkey. Unlike many emigrants, no one is waiting for him at home. Double orphanhood makes Slava wonder: How does a person become a poet?

A Taiwanese language film

Water as a physical and metaphysical metaphor and background of human existence. A docu-fictional essay between the Brazilian Sertão-deserts and the Northern-German flood areas of Dithmarschen. Dramas and day-by-day-observations in times of climate change.

Based on the Moldovan folk tale about the Little Mouse, who dreamed of becoming the strongest, so as not to be afraid of anyone in the world.

Evokes the personal trajectory of a Tanzanian Massai woman refusing genital mutilation. Directed by two NGO volunteers from Luxemburg working on a development project in Tanzania. Released in 2009, this film has been broadcasted since in various film festivals in Europe, on the occasion of different AR actions in Luxemburg and on national television (RTL).

Two girls start getting hunted by a peculiar clown who changes his shape to their worst nightmare

A social justice organization based in Oakland-Asian Immigrant Women Advocates-focused on building the collective leadership of limited-English speaking immigrants, and empowered women and youth to become powerful agents of social change.

A video that uses the history of a magazine – Cairo’s Al-Hilal ‘50s and ‘60s collection – as the starting point for an inquiry into Jamila Bouhired, the Algerian freedom fighter. An actress designated to play her role is showing the magazine’s covers to the camera. From the different representations of Jamila in cinema to her assimilation and promotion through the magazine, the performance attempts to look at the history of socialist projects in Egypt, anti-colonial wars in Algeria, and the way they have promoted and marginalized feminist projects. The clear gender division used to marginalize women from the public sphere was overcome for a short moment during the Algerian war of independence (Jamila becoming its icon). Different voices and film and print material are used to explore this history. What does it mean to play the role of the freedom fighter? What does it mean to become an icon?

Eom Jang-ho, a student of sculpture art, will appear in a folklore presentation hosted by his girlfriend Oh Hyo-jin, a historian. In the process of projecting various folklore materials, she sees a rotten heirloom mask and awakens a certain subconscious mind in the form of the mask. Her story is the story of how a clown dancing in her cloak raped her Thatcher's wife, causing her to plunge into her well. Eomjang-ho, who is engaged in the final practice of her sandae play mask dance, suffers from more vague fear because of her succession mask written on his face. Meanwhile, Oh Hyo-jin, unable to meet Jang-ho after the incident in the auditorium, goes down to the countryside with her classmates as a member of the archaeological excavation team. Even after she begins excavating the archaeological site, she is still depressed and asks if it's because her advisor loves her mother-in-law. She feels that she is in love with her majestic Ho.

The oldest surviving film in the Léontine series, this incomplete escapade features everyone’s favorite “mistress of mayhem” doing what she does best: wreaking total havoc and defying repressive authority. Léontine runs errands for a milliner, whereupon she steals the ludicrously oversized chapeau she was tasked with delivering to a valued customer. She adds insult to injury by leading her property-owning victims down a royal road of utter humiliation.

Captain Grogg tries to master the extra weight he's put on.

One out of ten in Denmark suffers from mental illness and it is the most common health condition of them all. Yet, due to the taboo and stigmatisation of mental illness, it is still under prioritized and as a result the welfare system is pushed to its limits. The care of the mentally ill instead falls upon relatives, most often parents and they become the lifeline and primary carer. When a family member gets sick it affects everyone in that family and especially those who love them. LOVE BOUND unconvers the unconditional love, which governs the relationship most parents have to their children and that must somehow be altered, when a child is suffering from mental illness.

Mega Star course trailer A course that will make you famous All rights reserved to Ben Rozen No one will copy the clip Thanks

The 4th Sailor Moon musical (and the 2nd to get a physical release.) While Usagi Tsukino and her friends are enjoying their summer vacation and planning on making their dreams for the future come true, they must deal with the Death Busters and two new Sailor Senshi who are on the hunt for the Talismans, as well as the arrival of Chibiusa.

The old days of the yakuza are over,” the boss decides, and the gang is dissolved. The henchmen, who became yakuza because they fell in love with their boss, cannot call anyone else “father” anymore, so they start working in a new line of work they are not used to... The main character, Hiroshi, is played by Ryuji Harada. He plays the role of a single-minded and reckless yakuza with sincerity, breaking new ground. Sho Aikawa plays the older brother, Ishikawa. He gives a good performance as a hard-headed and clumsy ex-cop yakuza. The cast also includes Tatsuo Umemiya, Masaru Shiga, Kaori Sakaue, and a variety of others, completing a passionate drama about the life of a man who falls in love with a man and risks his life for him.

Documentary about the making of Rainer Werner Fassbinder's 1972 German television series EIGHT HOURS DON'T MAKE A DAY, featuring interviews with actors Hanna Schygulla, Irm Hermann, Wolfgang Schenck, and Hans Hirschmüller.

Even though this is a recap, there are a few sequences where there is some new text overlaid the pictures, telling something that wasn't explicitly told earlier.