Os Últimos

Gilda is a free woman, in the most literal sense of the word. She has excellent culinary skills, raises pigs and chickens in the backyard of her home for slaughter and produces recipes capable of enchanting her friends, family and lovers. Her independence bothers the neighborhood, especially Cacilda, wife of Ismael who is running for public office through a party linked to a religious group.

Two young men share different points of view of the same sexual encounter in a public space.

Luísa decides to go after her father that she never met in order to understand why he abandoned her.

For more than 50 years, Durvinha and Moreno hid their real identity even to their own children, who grew up thinking their parents' names were Jovina Maria and Jose Antonio Souto. They had belonged to the gang of the most famous Brazilian bandit's leader. The truth was revealed when Moreno, at the age of 95, decided to share the weight of memories with his children and meet alive relatives, including his first child. The 'cangaceirismo' was a form of 'social banditry' born in northeastern Brazil in the early XX century in a scenario of extreme poverty, violence and anarchy.

A series of images documenting the floods of the river Tagus. This film has been recovered and made available by the Cinemateca Portuguesa.

Two-part documentary on post-revolutionary Portugal's treatment of the former members of the dictatorship's secret police, the PIDE.

2050. The world as we know is about to be destroyed by a pink cloud. Away from the cities and lost on inhabited roads, Pedro and Miguel search for eternity.

When the media report bizarre events in Copacabana, suspicions fall on a lonely sixty-year-old with a reclusive and methodical personality.

Two girls arrive at a strange house - the place where they decided to live their last days. A mysterious yet kind woman welcomes them. They feel ready to face their destiny. An enigmatic third girl, though, seems to have other plans for them.

In the 1990s, a long time TV host from the Azores Islands comes to terms with his career's end in a turbulent fashion.

A mockumentary series that resurrect the only 3 episodes of the series “Ai Ai Let's See with Gonçalo Almeida”, produced by the infamous host himself, before his disappearance.

This seven-hour British-Italian adaptation of Edward Bulwer-Lytton's 1834 epic, set against the eruption of Mount Vesuvius in 79 A.D. and previously filmed in 1935, and in 1960 was a vehicle for muscleman Steve Reeves, was trashed by the critics as the campiest of sword and sandal sagas to emerge in years. This despite its reported $19-million price tag, the nobility of its cast that includes Laurence Olivier, Siobhan McKenna and Anthony Quayle, and its rather unspectacular special effects. The central figures are Nicholas Clay as Glaucus, the noble Athenian; Olivia Hussey as the high-born Ione, his love, who is seduced by the Egyptian, Arbaces (Franco Nero), a religious fanatic; Duncan Regehr as Lydon, the champion gladiator; and Linda Purl as the blind slave Nydia, who is torn between Glaucus and Lydon.

When social upheaval sweeps Russia in the early 20th century, Czar Nicholas II resists change, sparking a revolution and ending a dynasty.

In the near future, society collapses and water becomes scarce. When a greedy water baron starts violently clearing out survivors, Kendal, a 17-year-old teenager, fights the baron's henchman to keep a well open.

In the last five years of his life, David Bowie ended nearly a decade of silence to engage in an extraordinary burst of activity, producing two groundbreaking albums and a musical. David Bowie: The Last Five Years explores this unexpected end to a remarkable career. Made with remarkable access, Francis Whately’s documentary is a revelatory follow-up to his acclaimed 2013 documentary David Bowie: Five Years, which chronicled Bowie’s golden ‘70s and early-‘80s period.

Two young women and their friends spend spare time at an exclusive nightclub in 1980s New York.