Où En êtes Vous Tsai Ming Liang

This experimental feature-length drama by Gilles Groulx follows three main characters who embody different attitudes about consumerism. A window onto Quebec in the late 1960s, this protest film explores these characters’ daily lives, their trials and aspirations. Where Are You? is an innovative and militant work, buoyed by hard-hitting film language that includes subtitles and intertitles, quotations, offscreen voices and songs and references to advertising.

Video #2 of Finite Rants, a series of eight visual essays commissioned by Fondazione Prada and curated by Luigi Alberto Cippini and Niccolò Gravina. Bertrand Bonello reworks the last minutes of his 2016 film Nocturama, which documents the logistical operations and the organization of terrorist attacks in Paris by a group of teenagers. Starting with "Où en êtes-vous?", a video commissioned by the Centre Pompidou in 2014 and conceived as a letter to his then 11-year-old daughter, the director makes a new work altering the final sequence of Nocturama and completely modifying the textual component and the soundtrack in this video essay as a second letter written for his now 17-year-old daughter.

João Pedro Rodrigues answers the question from the title with an autobiographical short-film.

An autobiographical essay film structured as a letter to the director’s young daughter, "Où en êtes-vous, Bertrand Bonello?" weaves clips from Bonello’s films, excerpts from his scripts, pop songs, and snippets of original footage into a lyrical, reflexive cinematic self-portrait. "Où en êtes-vous?" is a collection initiated by Centre Pompidou, who asked directors to make retrospective and introspective films.

"Où en êtes-vous ?" (Where do you stand today?) is a project initiated by the Centre Pompidou, which commissions its guest filmmakers to make a free-form film in response to a question simultaneously retrospective, introspective and focused on their future ideas and projects. Here Christian Petzold is joined by Christoph Hochhäusler as they analyze a sequence from Hitchcock's The Wrong Man (1956) through a series of photograms. With this tribute to Harun Farocki, who died in 2014, Christian Petzold endeavors to revive and perpetuate the spirit, taste and methods of his former teacher and friend.

An initiative from Pompidou Center, filmed by Jean Marie Straub.

Jafar Panahi and fellow Iranian director Majid Barzegar take a 20-minute drive to Kiarostami’s grave, during which time “the two friends speak appropriately of cinema, but also censorship and festivals, police power and ideology.”

Where are you, Tariq Teguia? is part of the series of short films commissioned by the Centre Pompidou, which asks invited filmmakers to create a free-form film to answer this question about the future, its desires, its projects! Where are you now, Tariq Teguia? is less a self-portrait - from Thessaloniki to Algiers, Lisbon or Beirut - than an attempt to escape it.

In the form of a fiction, Naomi Kawase delivers a self-portrait which is also a re-crossing of her earlier films. The old city of Nara, the first capital of Japan where Naomi Kawase is from and where she still lives, opens up a reverie where past, present and future meet. In its winding streets mingle the "Haré" of days of celebration and ceremony and the "Ké" of everyday life.

In Rio de Janeiro, people from the Mangueira neighbourhood follow the television broadcast on a big screen as the juries vote on each samba school. In 2019, Mangueira took to the Sambadrome a strong, bold samba of resistance to what’s taking place in Brazil right now. The film witnesses the tension while waiting for the final score, and the great joy of people from every generation when Mangueira wins and becomes champion of the 2019 Carnival.

An incident with his neighbor sends director Barbet Schroeder on a quest for inner peace.

"For reasons of health, Lee Kang-sheng and I moved to the mountains. We don't have any neighbors. Our house is part of a row of dilapidated houses. I love these abandoned houses. I often walk around in them casually. I think they are beautiful. I said to Lee Kang-sheng: we don't have to go elsewhere to make films anymore. I'll make all my remaining films right here. I got some old chairs and some of my paintings and arranged them in these abandoned houses. And thus, this film was made." Tsai Ming-liang

Roger Blanchard has a busy life. On the family side, he is married and has two children, aged ten and fifteen. On the work side, he holds an important position at the Ministry of Culture. To bolster his social status, he has a mistress to liven up his Saturdays. But nothing is going right. His wife Marion exasperates him, his children irritate him, his job gives him no real satisfaction, his mistress neglects him and his superior, Monsieur Gambaud, gets on his nerves. But when he meets a beautiful young secretary, his life and habits are turned upside down: Blanchard amuses him and gets his way. In revenge, Gambaud warns Blanchard's wife.

In this short film, screened and commissioned by the Centre Pompidou in Paris, Gianikian and Ricci Lucchi revisit regions at war or in crisis through archive images of the 20th century.

Documentary on the french actress Juliet Berto.

A film commissioned by the Centre Pompidou, where the director captures moments of his daily life and of his relatives.

Sébastien Lifshitz wandered around his grandfather's flat on Avenue de Lamballe in Paris. For months, until the place was sold, he filmed it, trying to preserve this trace of his family memory. In 2019, he is returning to these images for the first time.

A day in the life of Rick Linklater, taking in a conference call with some young studio executives and a session with a psychologist.

Dery is a grande dame actress of the Sarah Bernhardt school of big-gesture theater. Her beauty and popularity is fading, and a new school of acting which involves the use of one's own emotions (a-la Eleanora Duse) is emerging in the person of her younger Viennese rival. She thinks of retiring from the stage, and reunites briefly with her estranged husband in a newly-built manor in the country. Finding that life there is boring, she returns to town, the theater, and her old friends.

Notebook for a past or future film, shot in Los Angeles, Hogg roams the city like a haunted place where memories, anxieties and fantasies mingle.