Rötter

In 1982, the completion of Jim Jarmusch's sophomore film, Stranger Than Paradise, hinged on producer Sara Driver’s willingness and ability to smuggle one of the world’s rarest and most controversial films across the Atlantic Ocean.

Documentary about the quick development of the south of Rotterdam in the 2000s and 2010s.

A frame narrative about a curious bunch of Rotterdammers and the 'fairy-tale' of their lives. This is the story of two women and the people and things they encounter. Interviews with a high percentage of nonsense, credibly acted scenes, coincidence, dry humour and erotic elements: this Rotterdam does not bore for a moment!

The Bucket Play Video Mary Play Video On Call Play Video Find Me Play Video Molly's Chambers Play Video Reverend Play Video Pyro Play Video Use Somebody Play Video Over Play Video Radioactive Play Video Eyes on You Play Video Supersoaker Play Video Waste a Moment Play Video Sex on Fire

Creeping Death, Harvester of Sorrow, Welcome Home (Sanitarium), Of Wolf and Man, Wherever I May Roam, The Thing That Should Not Be, The Unforgiven, Disposable Heroes, Bass Solo, Instrumental Medley (Orion / To Live Is To Die / Call Of Ktulu), Guitar Solo, The Four Horsemen, For Whom the Bell Tolls, Fade to Black, Master of Puppets (Short Version), Seek & Destroy (Extended Version), Battery, Nothing Else Matters, Sad But True, Last Caress (Misfits cover), One, Enter Sandman, So What (Anti-Nowhere League cover)

Enter Sandman, Creeping Death, Harvester of Sorrow, Welcome Home (Sanitarium), Sad But True, Wherever I May Roam, The Unforgiven, Justice Medley, Bass Solo, Guitar Solo, Through the Never, For Whom the Bell Tolls, Fade to Black, Master of Puppets (Short Version), Seek & Destroy (Extended Version), Whiplash, Nothing Else Matters, Am I Evil? (Diamond Head cover), Last Caress (Misfits cover), One, Damage, Inc., Breadfan (Budgie cover)

Nutshell, A Little Bitter, We Die Young, Angry Chair, Hate to Feel (Layne Broke his guitar at the end of the song), Dirt, It Ain't Like That, What the Hell Have I, Them Bones, Dam That River, Bleed the Freak, God Smack, Junkhead, Rooster (Layne screwed lyrics at the middle of the song), Would?, Rotten Apple, Sickman

New Millennium, The Mirror, Lie, Through My Words, Fatal Tragedy, Blind Faith, Lifting Shadows Off a Dream, Beyond This Life, Hollow Years, Instrumedley, Lines in the Sand, Six Degrees of Inner Turbulence, Overture (orchestra-only edit), About to Crash, War Inside My Head, The Test That Stumped Them All, Goodnight Kiss, Solitary Shell, About to Crash (Reprise), Losing Time/Grand Finale, The Spirit Carries On, Children of the Damned (Iron Maiden cover), Learning to Live

The Rotter is a Visually Dark, Intense and Intriguing cinematic and artistic approach towards the more creepy sub-genre elements of Horror, about a mysterious and strange entity known as 'The Rotter'. It haunts and punishes the Sinners and fakers of the Society. The Origins and Who The Rotter really is and why it do things like this is mystery and kept unknown.

Report of the departure of the SS Patria to the Dutch East Indies.

This video is a continuous fourteen minute and twenty-seven second slow motion shot of The Rotterdam Tower in Liberty City.

In this short film, the French photographer, Valérie Jouve explores the way in which an era constructs countless layers of time and space without feeling any need to establish connections between them. The film is about time or, more precisely, the various times that today make up our everyday life.

During the Second World War, three Jewish couples from Rotterdam spent years in hiding in the Breeplein Church. A special story about courage, hope and confidence, which was forgotten for years.

The story of the cultural life in Rotterdam around 1980. In particular, the punk scene does not go unnoticed. The television broadcasting (VPRO) during that time led to strong reactions and severe criticism. Now it is a unique document of a turbulent time, with a direct movie style.

Miniature World and Trains Rotterdam in the Netherlands

Erik van Lieshout is on a bike trip from Rotterdam to Rostock. In abruptly shifting scenes filmed with a wobbly hand-held camera, Rotterdam–Rostock processes impressions of a society which Lieshout approaches with a seemingly carefree attitude that is paired with touristic voyeurism and unscrupulous directness.