Schermo Schermo

I have a fixed idea about the screen that while it has no depth, we know that it is sprayed by 24 frames a second at the same point for an infinite amount of time. Were it possible to freeze into a solid the sum of all the images, the screen would be seen as a limitless freezer of frames. Even more so, when the screen is a screen of a screen—a condition approaching the simultaneity of electronics. The usual battery of devices: Super-8, 16mm and slide projectors. A constructed series of film loops with scenes of [everyday] life, slowing down and accelerating the events on a solitary screen, so that life as it has been staged gathers itself up in a perpetual serial [process of] self-editing. On the tv screen a face is pierced through by the small filmic screen.

Over a span of 8 years, Stefano talks about his choice to undertake sex reassignment from female to male. The first steps, the interviews with a still female face and voice, i problems that arise with hormone treatment. Many challenges and many objectives, not all of which are successful. “Ste” obtains consent for interventions to change a body in which he is not she recognizes. It soon reaches great visibility. But at the end of the parable in the media he is disappointed by the LGBT world, by the fake activism, and from the attacks received on the new image he projected of himself. Finally mature, Stefano confronts his past. Across the reflection of his true identity, he has now achieved his purpose: a "normal" life.

What "That's Entertainment" did for movie musicals, "The Celluloid Closet" does for Hollywood homosexuality, as this exuberant, eye-opening movie serves up a dazzling hundred-year history of the role of gay men and lesbians have had on the silver screen. Lily Tomlin narrates as Oscar-winning moviemaker Rob Epstein ("The Times of Harvey Milk" and "Common Threads: Stories from the Quilt") and Jeffrey Friedman assemble fabulous footage from 120 films showing the changing face of cinema sexuality, from cruel stereotypes to covert love to the activist triumphs of the 1990s. Tom Hanks, Susan Sarandon, Whoopi Goldberg, Tony Curtis, Harvey Fierstein and Gore Vidal are just a few of the many actors, writers and commentators who provide funny and insightful anecdotes.

Video game developer Clayton Software enlists the talents of a misfit group of programmers to develop the scariest computer combat game: EVILUTION. With four weeks to bring the game to market and a million-dollar bonus on the line, they utilize a telemetry suit to render a 3-D version of the onscreen player. But when a power surge gives the hard drive a mind of its own, the suit comes to life to play the game for real and the programming team find themselves in the middle of a chilling virtual nightmare beyond their wildest imagination.