Si On A La

After experiencing a traumatic event, Nian Bei meets Si Nan who welcomes her with open arms.

An MA in philosophy, Raja arrives in Delhi to look for employment and comes across Kusum, a struggling stage actress. They both face hardships in order to make a living.

Melle and Noa are everything but picture perfect sisters. They have fights, whenever they get the chance to. And if you live together in a small place, there always is one. But in these emotional explosions lays way more than just rage.

A little vampire runs away from home when he thinks his uncles are fighting over him - they're really fighting over his mom. He makes friends with some kids and helps them take care of a gang of bullies. The kids in turn help protect our little vampire from a man wanting to use him to cure his brother, who's turning into a western style vampire.

A shying and fearing girl along with her mother are being victimized by funny-yet-clever hypocrite. As the story goes further, the mother informs her daughter that she had been once the wife of hypocrite and has also son from him and that is the reason why he annoys them both. As story unfolds, the people may not trust him anymore as they are unaware of this fact.

A young man and a shaman who has an online bidding store that sell pseudo antiques must deal with various mysterious incidents after confronted by their disappointed customer.

Bassist Israel "Cachao" Lopez put mambo as well as the jazzy jam sessions known as descargas on the map. The Miami-based actor/percussionist Andy Garcia resurrected him from obscurity with the popular Master Sessions recordings in the 1990s. This CD and DVD, recorded at Capitol Studios in Los Angeles, is Cachao's fourth collaboration with Garcia. The ageless bandleader's deep arco and pizzicato basslines anchor an all-star group, which includes salsa trombonist Jimmy Bosch, timbalero Orestes Vilato, and tresguitarist Neslon Gonzalez. They lay down the Afro-Cuban rhythms that range from the changui to the rumba. "Mambo Cambio de Swing" links Havana to Harlem, while "Guajira Clasica" marries Bartokian style with the Cuban countryside. "Queja Africana/Protesta Abakua" is laced with Justo Almario's Coltrane-tinged saxophone and completes the transcultural influences of this great musician.