Silence

Short film about the importance of silence in military matters.

Two tree-creatures hibernating underneath the bark of their trees wake up by the quakes produced by a snowfall outside. After going out, they become friends and delight at playing with the snow.

nseparable barriers limit the vital space of human activities. Pedestrians emerge from static lines, isolated in the outline of their bodies, only to disappear once more when they encounter the next boundary. Underpinned by an electronic soundscape, Le silence est en marche questions spatial and social conditioning.

Having fled his country, David had to leave behind the man he loves. He remembers him, their life together, the society that forced them to lead a clandestine life. The memories are real. But he has kept silent until now. In order to obtain refugee status, he will have to speak for the first time about his secret life he has always kept hidden to himself.

The Weeknd Celebrates 10-Year Anniversary of ‘Echoes of Silence’ by Sharing Title-Track video. Directed by Kurando Furuya with creative direction from well-known Japanese artist Hajime Sorayama, the CGI visual depicts robots existing in a post-apocalyptic world. Throughout the video, the robots dance and interact, even engaging in a Michelangelo Creation of Adam moment.

During the students ' rebellion against Nicholas the Second in Russia, Viana tries to kill the governor but it's her lover who is arrested and sent to a sinister fortress : hence the title. To help the prisoner,Vania marries the officer who commands the place. There the convicts have really a bad time, but Vania manages to communicate with her dear captive. But beware of informers.

Hiding death does not make it disappear. A little girl who suffered from the silence of adults felt dispossessed of her right to mourn. As an adult, she recounts the tender gestures that bind her to the dead.

After CLEVELAND VS. WALLSTREET, the director dived into the universe of the Opéra national de Paris to film his documentary about this major centre for musical creation. During this shoot, he met Philippe Jordan, musical director of the Opéra national de Paris. “Filming Philippe Jordan is like a waking dream. He occupies the frame, he bursts from the frame, he is simultaneously totally present in the music, and elsewhere, connected to some invisible forces,” says the filmmaker about the conductor, whom he was able to film close up during rehearsals for Gustav Mahler’s Ninth Symphony. This invisible aspect is what the camera explores in this short film: by focusing on this piece in particular, entirely given over to listening and immerged in the very heart of creation, Jean-Stéphane Bron reveals a fragment of work that we imagine to be titanic, and allows us to see and to hear, in a whole new way, a work whose interpretation is profoundly marked by silence.

What’s worth remembering? Who decides what is worthy of remembrance? Through images shot at the beginning of the 20th century by women filmmakers, the director questions her references, what she has been taught and passed on. Between past and present, memories and omissions, the audience (re)discovers women who have made cinema what it is today. A sensorial and poetic journey that takes the spectator back to its own knowledge and personal and social constructions.

Claude and Martin, two police inspectors, arrest Philippe, a withdrawn young man, and question him about the murder of his father.

In a conflict ridden Kashmir, a Muslim half-widow finds herself, her 11 year old daughter and ill mother-in-law in a crisis when she attempts to get her missing husband's death certificate

The Brittany coast. The storm season has begun. Twenty-year-old Matthias is hard at work on the small family farm, waiting for his father to acknowledge his efforts. As the annual procession of the Virgin is about to be celebrated in the village, Hugo, his brother, returns for the weekend.

An evocation of the work of the playwright and writer Eugène Ionesco through a series of interviews, footage shot in his studio and extracts from his plays.

This film looks at the world of children with hearing loss and the importance of early diagnosis. With its straightforward, rigorous cinematic style and intimate approach to the subject, the film focuses on the human rather than the technical side of the problem of hearing impairment.

Finding inspiration in Kafka’s short text The Silence of the Sirens, in which he reinterprets Homer’s deadly songstresses as silent apparitions, Diana Vidrascu has created the mesmerising portrait of Céline, a young actress from Martinique living in Paris and struggling to find her place in the world. As she returns to her roots in order to explore her identity, we take the trip with her in this intimate story of origins and destinations.

Most of the characters in this romantic drama are waiting for something. Jeanne is waiting for her husband Francois to return; he abandoned her and their son Christophe a couple of years ago. The boy is waiting for his father, too. Meanwhile, Jeanne's current lover Marcel is waiting for her to come to her senses about the cad who went a way, and recognize the worthiness of his love for her. Finally, the absent husband is also waiting for the right time to make his belated reappearance. All this takes place near the gas station Jeanne runs in a dessicated and remote region in southern France.

Saida goes every day after school to the sea to bring in an old bucket what her father was able to fish. Deaf and dumb, she expresses her feelings through drawing, her father can't make ends meet, on the taking of the song "Lighara" by the group "Jil Jilala", he ends up making an irreversible decision...