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A partially destroyed fragment of Powell and Pressburger's 1951 Technicolor dream film "Tales of Hoffman", becomes a site of a ruptured fantasy.

A young woman turns her camcorder on her family in a deadpan tribute to childhood nostalgia.

A mortician falls in love with a dead body

“10 years after first releasing 'Nothing Personal', we returned to Red Bull Studios in LA to revisit the making of the album. ‘It's Still Nothing Personal: A Ten Year Tribute' features all new recordings of the classic album. While we were there, we filmed the entire recording process and checked in with a few familar faces for a documentary about the album.”

Still I Strive is a story of transcendence through compassion, unity and hope. At one orphanage in Phnom Penh, Cambodia, the performing arts are the path to healing and transformation. Guided by their matriarch Peng Phan, a renowned actress in her own right, the children aspire to achieve one of the highest honors in Cambodian society, to perform in front of Princess Bopha Devi as a symbol of their culture and heritage. Interspersed throughout the documentary are narrative film sequences featuring the children as actors.

A sister mourns the death of her brother

This film is inspired by the stories of real child refugees fleeing war and persecution. It’s a reminder that the refugee crisis is happening here and it’s happening now.

An Ohio woman's COVID story is revealed.

The story of East Liverpool, Ohio and how it went from a shining exemplary American town to the center of the opioid epidemic.

Robert has combined his Christian world view with his Monty Python sensibility and written many Veggie Tales videos such as “Little Joe,” “Gideon” and “Sheerluck Holmes.”

A grandfather struggles to understand his grandson’s sexual identity. The tension builds as a consequence of their conflicting emotions. Their dialogue has a brutal tempo, a staccato that mirrors the characters’ own discomfort. As in his still photographs Michals deftly orchestrates the effects of multiple exposure using the technique to convey the complexity and emotional resonance of a charged situation. The actors’ words imply one thing, while beneath their dialogue exists an empathy they are unable to articulate.

Beautiful, ragged animation, all flowing lines morphing one thing into another. Land becomes bull becomes man becomes cat, set to propulsive music by Goran Mikulec.

Youngstown, Ohio is a city with a negative reputation. It has been called Steel Town, Crime Town USA & Murder Town Ohio, but these days, residents just call it Ytown. This documentary finally gives the people of Ytown a chance to tell their story of survival and talk about issues such as the fall of the steel industry, the influence of the Italian mafia, corruption, assassinations, an inordinate output of successful professional athletes and every day life in a blue collar town.

In 1988, with the release of FILTHY HABITS, Billabong changed the surf video forever. Raw and unapologetic, FILTHY HABITS presented the untouchable Billabong team in a revolutionary formula that simply featured kick-ass surfing cut tightly to kick-ass music. Twenty-one years later… Occy’s still ripping, bands like T.S.O.L. and Social Distortion are still rockin' hard, and Billabong hasn't changed their filthy habits one bit... the result? STILL FILTHY is born! Sit back and enjoy this historic ride into the future as the Billabong team takes you up, over, down under, and around the world. Featuring surfing by Andy Irons, Taj Burrow, Joel Parkinson, Dave Rastovich, Wade Goodall, Torrey Meister, Shane Dorian, TJ Barron, Sterling Spencer, Laurie Towner, Tamaroa McComb, Granger Larsen, Kolohe Andino and of course the legend himself, Occy.

On the day of his daughter's wedding, a father finds himself consumed with his own emotions and he undergoes a curious episode.

A stunning graphic composition of form and surface, Rituals for a Still Life links Gillette's video and collage work. Here he constructs a series of enigmatic collages that have as their background a television monitor showing his videotapes. Gillette builds a tension between static objects and the moving video images, both in the deliberate ambiguity of scale, and in the way these images flatten the video image. Meditative yet charged, these collages reveal surface abstraction rarely achieved in video.

After twenty unsuccessful years, pop singer Harry Kuntz has landed a hit: a remake of Lehár's "Your is my whole heart" catapulted him to the top of the charts. While Harry basks in his sudden fame, his brother and manager Tommy's dream of wealth is just around the corner. A car breakdown on a stormy night leads the brothers to a remote house. Harry is once again playing the sexual daredevil and thinks he's having success with his pick-me-up. A fatal error. Suddenly, the two brothers find themselves in a nightmare from which there is no escape.

In Still Time is an experimental animation that investigates the catastrophic image and spectacle through direct animation of still images onto 16mm film. The film uses still images found on the internet from the current Syrian civil war; these were laser printed directly onto the film, simultaneously abstracting these images and re-animating them.