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Tony is a macho middle-aged school bus driver in the provinces with no friends or relations. A sudden heart attack throws him into a tailspin. Tony's convinced he's going to die. When his cardiologist warns him : We all need others. Alone, we're nothing. Tony decides to reconnect with the daughter he abandoned twenty years earlier, when she was just a baby. Still a coward, he's unable to screw up the courage to actually confront her directly. So he decides to sign up for a dance class she's teaching in Paris. Incognito, of course. To get to know her gradually… in a desperate attempt to give some meaning to his empty life. In the process, he has more than a few dance steps to learn!

Isa and Marie bond while working in a French sweatshop and soon begin sharing an apartment that Marie is watching for a hospitalized mother and daughter. Marie, hoping to avoid a life of struggle and poverty, takes up with Chriss, a nightclub owner whose most attractive asset is his money. Isa recognizes the ultimate futility of the relationship and tries to keep Marie away from him, but her interference puts their friendship at risk.

January, 1920. 350,000 French soldiers remain missing in action. Major Dellaplane tirelessly matches the dead and the wounded with families' descriptions. Honor and ethics drive him; he hates the idea of "the unknown soldier." Into his sector, looking for her husband, comes a haughty, politically connected Parisian, Madame Irène de Courtil. Brusquely, Dellaplane offers her 1/350,000th of his time, but as their paths cross and she sees his courage and resolve, feelings change. After he finds a surprising connection between her missing husband and a local teacher, Irène makes Dellaplane an offer. This man of action hesitates: has he missed his only chance?

Paris 2052. Julia, 80 years old, had a fulfilled life. On her birthday, she reflects on the decisions and circumstances that could have led her on different paths. From the age of 17 to this day, her life was full of small but critical moments. Each was a turning point with dramatic consequences. What would have happened if she had forgotten her passport, chosen a different line at the store, driven the scooter this one time...? Is her life a succession of coincidences and accidents or a ready-made path?

Madame Rosa lives in a sixth-floor walkup in the Pigalle; she's a retired prostitute, Jewish and an Auschwitz survivor, a foster mom to children of other prostitutes. Momo is the oldest and her favorite, an Algerian lad whom she raises as a Muslim. He asks about his parents; she answers evasively. As she ages and takes fewer children, Momo must do more for her; as money is tight, he tries to earn pennies on the street with a puppet. He's a beautiful man-child, and Madame Rosa makes him promise never to sell himself or become a pimp. A film editor, Nadine, befriends him, and his father appears as well. Madame Rosa reaches her last days in fear of hospitals, and Momo must act.

Camille, a naïve schoolgirl, meets an intriguing influence in Joelle, a slightly older and much more experienced spirit. Camille follows her new friend through the discovery of sex and the darker side of life. As the film progresses, Camille discovers AIDS and the fear that she may have picked up the disease in her early encounters.

After the Club Med and skiing, what happened to the Bronzés 27 years later? Early response: the same, and worse.

Julien Monnier has a serious problem. Though he's a brilliant couples counselor, he can't keep a woman in his life for more than two weeks. Indeed, ever since his childhood, Julien jinxes every woman who falls in love with him. But it's not just any small jinx. It's the kind that sends you to the hospital several times a week, that destroys your professional life or that turns your friends into enemies. Julien is strictly speaking a true black cat for women. Joanna Sorini will soon learn this at her expense the day she meets him. A career that's just taking off, a love life that finally seems to be taking a good turn, all that may just change.

The mind of Pierre Bérard, a successful middle-aged architect, is torn between his unstable present with Hélène, his younger lover, and his happy memories of the past with Catherine, his ex-wife; but his true destiny awaits him at a crossroads on his way to Rennes…

À la vie, à la mort ! (1995) In Estaque, a northern suburb of Marseilles, stuck between oil refinery smokestacks and the Mediterranean sea, a handful of die-hards has taken refuge in a cabaret. There is José, the owner, a big-hearted gypsy who loves cars and women's bodies; Joséfa, his wife, the establishment's stripper despite her advanced years and Marie-Sol who climbs the hill every day to visit Notre-Dame de la Garde and beseech Virgin Mary to give her a child. There is Patrick, her husband who has been unemployed for ages but who is kind despite appearances and their friend Jaco who is having a hard time. His wife and daughters hate him for not keeping up on the mortgage repayments. Last but not least is Papa Carlossa who believes that Franco still rules Spain and fantasizes about bumping him off.

Birth, Coming of Age, Love and Death. These are the four cornerstones of life and are recognized in many different ways from one culture to another.

Four friends gather to eat, hang out and talk about mangosteen, shamanism and voiceover.

In the late 60s, Rita, Rachel, Muriel, and Stéphane formed a rock band called Tiger Lily. Two decades later, after long having put away their guitars, the women look back at their lives.

Helen, Rose and Lili have survived the Holocaust and have never seen each other since the war has ended. In 1960, they meet again in Berck, France. They learn to enjoy together simple pleasures in life: nice meals, ballads on the beach, playing in the waves.

Éric Pedneault, his son Mathis, Julie Péloquin, her teenage daughter Élodie, as well as Éric and Julie’s little “miracle baby” Mégane, all live together at the quick and overwhelming pace of today’s modern families… Between work, daycare, Élodie’s high school and Mathis’s kindergarten, they barely have time to catch their breath.