Tótem Film Complet Vf Gratuit

A filmic interpretation of a modern dance ballet by Alvin Nikolais. Earth, fire, water and primordial mysteries in a cine-dance.

A celebration of anima. My short for Off The Air episode "Worship"

Here, Totem designates the representations of the phallus and of it´s power. From the beginning of consciousness to the most sophisticated forms of civilization, the conceptual correlation between phallic imagery and power has been constant. I dove into the meanders of these representations in order to testify of their relevancy and importance.

A hunter seeks to tame a wild boar to make it her totem animal, whatever it takes.

Through five mundane scenes from the life of a thirtysomething hipster couple in the suburbs of Oslo, Totem explores the vulnerabilities and relentless discomforts of togetherness.

Christelle, a 29-year-old young woman, desperate for the breakup of her relationship. Stéphane her lover suddenly leaves her after learning that she was pregnant when he did not want a child. Totally lost and after trying everything to reconcile, Christelle will use a gift that her Corsican grandmother passed on to her to take revenge on Stéphane

A personal description of the part of the youth culture called the no future generation or punk culture.

A boy in an ancient tribe confronts a terrifying beast in the wild.

In this follow-up to his 2003 film, Totem: the Return of the G'psgolox Pole, filmmaker Gil Cardinal documents the events of the final journey of the G'psgolox Pole as it returns home to Kitamaat and the Haisla people, from where it went missing in 1929.

"Totem Pole '67" was shot frame by frame using extension tubes between the lens and camera body of a 16mm Bolex. The physical form of the subject comes directly to determine the outcome: it is both subject and camera support, that is, part of the technology of which it is also the subject. It is both sculpture and film.

Student film by Eiki Takahashi. Japan University College of Art Film Department Video Course 4th grade graduation production.

After hiding a hunting accident. Will (Cameron Hartl), suffers morbid hallucinations and mounting paranoia. Trapped inside the woods with his wife and daughter, he must confront his lie in the face of his family, deal with his conscience, but also face up the real problem latent in him all along his shadow.

In Brussels, Belgium, the Royal Museum of Central Africa is undertaking a radical renovation, both physical and ethical, to show with sincerity, crudeness and open-mindedness the reality of the atrocities perpetrated against the inhabitants of the Belgian colonies in Africa, still haunted and traumatized by the ghost of King Leopold II of Belgium, a racist and genocidal tyrant.

Destruction of the digital image.