Tõus

A chronicle of Ms. Mamie Till-Mobley's fierce quest for justice that sparked the civil rights movement after her son Emmett Till's brutal murder, inspiring heroes like Ms. Rosa Parks and others to stand up boldly for their rights.

He calls himself Catman. Christian lives with his two cats Marmelade and Katjuscha. They are inseparable. As he yearns to become a father, he has his beloved Marmelade fertilized by an exclusive tomcat abroad.

Cédric Kahn's "Bonheur" is the eighth episode of the 9-part Arte series "Tous les garçons et les filles de leur âge", a series of medium-length (around 1h) made-for-tv movies about teenagers. An 85-minute version of "Bonheur" has been distributed as "Trop de bonheur" (a more satisfactory version, according to the director).

Genteel aristocrats and the terrible impasse erect in front of them their debts, forbidden loves and marriages interests, passions and conflicts.

See the great migration as never before! The Mara River, nature’s best laid trap for migratory animals, is the stage for a grandiose spectacle. When food supply in the Serengeti dwindles, the Masai Mara is a paradise for predators. As the black wildebeests, gazelles, zebras and antelopes make their yearly trip from the south of the Serengeti to the north, nature’s best laid trap, the Mara River in Kenya is waiting ahead. Captivating shots filmed under water show how crocodiles prepare for the Big Hunt while other predators lurk on the banks awaiting their bounty.

Foghorn Leghorn and a cat fight over a worm. The cat wants the worm as bait for a fish, while Foghorn just wants the worm for a quick snack.

The eye-opening story about how the oil industry for decades fooled the world and misrepresented the climate crisis.

Car fanatic Nate Boyer will customize anything that moves. As the owner of Kultured Customs, a thriving hot rod shop, Nate is always looking for the next big project. Now, he is taking his biggest gamble yet and opening “The Doghouse.”

This French drama takes a gentle poke at the youthful ideologies of the post-hippy 70's. Fabio and Alain are teenagers with widely differing backgrounds and philosophies. Fabio is a rebellious Stalin quoting, left-winger from a lower middle-class family. He dreams of being a rock star even though he can't play a note. Alain, a soft-spoken boy from a middle-class family prefers to quote Plato. Alain is attracted to Fabio's enthusiastic talk on political activism. When the local press accuses them of terrorism after they toss a rock through a window they are initially delighted. Their delight is short-lived when they realize that may be blamed for some of the real terrorism the town has been experiencing.

Jazz Icons: Art Blakey boasts an exceptional one-hour concert by Art Blakey from Paris in 1965. This performance showcases one of the few undocumented Blakey bands, the New Jazzmen, featuring the incomparable Freddie Hubbard on trumpet, as well as Jaki Byard on piano, Reggie Workman on bass, Nathan Davis on sax and, of course, Art Blakey on drums—truly a powerhouse quintet! Freddie Hubbard’s incendiary playing on “Blue Moon” and the blistering 24-minute version of his own “Crisis,” serves as a cogent reminder that he was one of the most innovative trumpeters in jazz history. Setlist: The Hub / Blue Moon / Crisis / NY Theme

Documentary that analyzes sexuality during it's so-called "revolution", the late sixties. The film shows some sexual "oddities" brought on by the fall of sexual taboos: a German woman who founded an billion dollar industry by selling erotic material; young and beautiful girls who are rented by large complexes to entertain and "persuade" customers; women young and old going to school to learn the art of awakening the interest of their husbands; couples in unscrupulous act as models to abstract painters; single women looking for a mate for the weekend, taking advantage of the "pink train" set up by the German Federal Railways.

Four episodes, four instances from a man’s life covering 25 years, from 1965 in Germany to 1990 in Athens. The episodes seem to be irrelevant to one another, yet they all focus on male powerplay, reveal the self-consciousness and moderation of the protagonist’s idiosyncrasy and depict some special aspects of the Greek male mentality. Probably Nikos Panayotopoulos’ most personal film, covering a substantial period of his generation’s years, “I’m dreaming of my friends” is based on the book by Dimitris Nollas, looks a lot like a “road movie” and features an all-male cast, as if there’s no room for women in it.

A young man is released from prison. Three other prisoners who where his cellmates explain his political and social life in three different ways: The first one defines him as the son of an unknown father and a Polish mother who were taken abroad when his mother has been killed at the time of WWII and then he has returned to Iran as the agent of Zionists arrested while he was spying. The second one defines him as the lover of a Polish woman who is the wife of an embassy employee and is arrested through a report by the husband. The third one tells that he has returned to the country to take his wife's jewelry and is arrested mistakenly.

OSO is a journey through the history of a pop icon told by its own protagonists, the Tous family, Spain's most famous jewelers.

This is one of the four "animated comics" taking place in the same universe as the film "I Am Legend". In the early stages of the KV Pandemic, a refugee camp has been opened somewhere in central America, and is taking in patients infected with Krippin Virus for treatment. As a young boy and girl watch from the outskirts of the camp, a military convoy arrives.

A cinematic journey into the heart of the Europe through the life-changing experience of young participants of Erasmus - the most ambitious mobility programme of our times. The film’s characters leave the comfort zone of their country, to prove to themselves that they can survive in a foreign environment, overcoming their fears and adapting to different cultures and mentalities. Set against the current European crisis, fueled by unprecedented youth unemployment and fears about the refugee situation, their journeys offer a bird’s-eye view of a continent in transition, giving a sense of what the future holds.