The Chair

Peggy Wilson has recently become an orphan and a ward of the Waston family. She’s also inherited the late Robert Wilson’s vast fortune, which puts her very much in Mr. Waston’s favor. He would like his son, Frank, to marry Peggy, but Peggy “is not his style” and “her money is no inducement”. Preserved by the Academy Film Archive in 2010.

The story of an aspiring young filmmaker's encounter with a grumpy fount of movie lore.

"Stühle im Schnee" tells the story of a flight, the flight of a young girl in the world of fantasy to escape her rapist. The 14-year-old Clara was abducted by Thomas, 30, a brutal child molester. Maltreated and cruelly abused, she is held for 5 weeks in a box in the basement of a residential building.

Corporate researchers go behind the back of their mysterious employer to test the telepathic abilities of a traumatized girl and her father.

Eustace is sent to a horrible school and finds a friend in Jill Pole, who's also running from bullies and looking for a place to hide. The two of them are magically transported from the garden shed into the magical world of Narnia, where they are entrusted with a task by Aslan: to rescue the king's stolen son, Prince Rilian. Together with Puddleglum the Marshwiggle, they must travel north across the mountains, dodge giants, and journey down into the earth itself to rescue Rilian from the mysterious evil that holds him bound there.

After seeing her husband off to work, the young author identified only as Yoshiko sets off to read the large collection of letters she received from other young authors. These are often letters containing samples of their work for critique. One large envelope contains a letter. The letter-writer does not provide his name. The letter is a confession of crimes. The letter-writer has no family or friends, and claims to be "ugly beyond description". He is a chair maker and loves his work and all the chairs he creates, even going so far as to claim some sort of intangible connection to his work.

After inheriting his father's estate, Cheung Ka-bo leads a life of debauchery after getting know Blackie Yuen, who profits at others' expense, and Yee-Wah, who working at a night club. As the family wealth diminishes, he always squabbles with his wife and finally separates from her. She returns a diamond bracelet, kept by Uncle Chan, to her mother-in-law. Bo's mother hides the bracelet in a chair. Later, Wah resides at Bo's home. To flatter Wah, Bo wants to get the bracelet by any means from his mother and give it to Wah. Later, Bo's mother falls ill. In the hospital, she tells Bo of the bracelet's whereabouts but the chair has already been sold to Uncle Chan by Wah. Bo, Wah and Yuen stealthily enter Chan's home to get the chair, but have a big fight when they try to take the bracelet. Knowing that Bo has huge debts, Wah intends to leave him after getting the bracelet. Wah exposes her gluttonous self in her pursuit of the treasure. Bo learns his lesson and returns to his wife.

Directed by Sue Healey.

Three women in three regions in Indonesia in redefining their destiny. They have problems about their helplessness towards their nature as women generally, facing equality, rights, and traditions, yet transforming them into empowerment for the lives around them.

A married woman (Basinger) falls in love with a Benedictine monk.

An eloquent cowboy, four criminals, and a delicious bag of tortilla chips.

A phony psychic tries to solve a murder that took place during her seance.

Based on George Ade's play which, in part, was based on an incident in a 1902 election in Wyoming, with women's-right-to-vote playing a large role. Here, Jim Hackler, local party-boss in a Wyoming county, has to decide to do what's right and lose the election, or what's wrong and win it.

In Mexico, citizens outraged by the rampant corruption and the way of doing politics are questioning power every day. This documentary shows the personal and direct experience involved in the act of governing through four protagonists who reveal what is “the power of the chair”.

Year 1947... Yegor Trubnikov is giving all his powers to make life in his own Kolhoz better.

At Southern Engineering College, Johnny Jaeger and his fraternity brothers in KEG. are going to war with Dean Smuck and his family who are trying to kick the fraternity off campus. Stakes are raised in this comedy when the good bad boy Southerner, Johnny, ironically falls for a true Yankee girl, Prudence Patience Standish, the current girlfriend of the Dean’s nephew. Will Johnny be smooth enough to sweep Prudence off her feet, save his fraternity, and take down the Smucks?

When her country is taken over by socialist revolutionaries, a wealthy woman can't bear to give up all of her wealth and possessions to the new government, so she hides all of her treasures in the 12 chairs of a dining-room set. After her death her nephew finds out what she had done and, since the chairs had been "nationalized" and are now in the possession of a dozen different people, he sets out to track them down and get the treasures he believes rightfully belong to him.

As recently as forty years ago, most sections of the Maasai were semi-nomadic and relatively independent of the nation-state. However, political, social and economic changes in East Africa have forced many herders to adopt a sedentary lifestyle. The Chairman and the Lions introduces Frank Kaipai Ikoyo, a charismatic Ilparakuyo Maasai who, at thirty-three, is the leader of a Tanzanian village called Lesoit. Ikoyo was elected to his post at the age of twenty-six in part because he had completed primary school. That someone so young would be accorded such authority would have been without precedent not long ago. Yet this ethnography of Ikoyo's duties as village chairman shows how literacy and insight into the workings of the nation-state are essential for Maasai to combat the many lions, both real and figurative, that beset them: land grabbers, "bush" lawyers, unemployment, out-migration and poverty.

After receiving an anonymous letter, Marie develops an epistolary relationship with the sender who mysteriously can see everything she does.

A fine magician of the Royal Court materialises an elegant attire from a transparent glass container, and then, a refined dandy appears, as an ornate palanquin is summoned. Now, what does the illusionist have in mind?