The House At 12 Rose St

Japanese crime film

Continuation of the comic adventures with the heroes of the previous issues of the series of cartoons about three strange friends from Pankivka.

Royal Opera favourite Bryn Terfel heads the cast for this new production of Donizetti’s comedy of domestic drama across two generations. The witty story of a middle-aged man whose supposed young wife runs rings around him – with her own ulterior romantic purpose in mind – has long delighted and surprised audiences, not least as presented with the sparkle of its music and the virtuoso skill of its performers. Damiano Michieletto’s exhilarating production shows how contemporary the characters still are and how immediate and touching the story remains.

A musical cartoon about how animals built a common house.

A middle-aged man returns to his native village to buy an abandoned house, where he spent his childhood, although locals don’t support his decision. Soon, the man finds himself trapped between two realities. Baffled, he is trying to return to the real world. On his way, he can see a sayilyk (a meadow with a summer homestead), where he sees his ancestors and deceased family members. Totally puzzled, he runs away and meets three men who turn out to be wandering souls, spending eternity in anticipation that one day they will be able to move to another world.

On the periphery of every city there live the poor migrant peasants looking for a better life in City. Although the shabby living condition, burst of laugh of two years old Wadan and her parents could be cached from time to time. The film depicts the kind and sincere character of the Chinese peasant and tries to give a positive outlook of their life.

3 months until the wedding. The bride-to-be, Ye-rim, who was looking for a place to stay temporarily until the move-in date of the newlyweds, moves into a one-room mansion that is cheaper than the market price. It was a mansion for women that was banned. It is a sanctuary only for women who have nothing to complain about other than the manager Guro, from moving her immediate moving items to the boiler breaking down . Ye-rim, who is dissatisfied with the cramped reality that even her fiance cannot invite, eventually invites Seong-ju into her house without her manager's knowledge. do. Ye-rim even pays sexual favors to escape from the caretaker's control, but rather falls deeper into the trap he set... What is the reality of Roseville, a women-only mansion that has completely changed the life of the bride-to-be?

Original video animation, setting watercolors from Yumiko Kawahara's 1983 manga to a series of 11 pop songs.

A sudden visit from the women of the neighbourhood...

Come and see Kitty and Mimmy's house! Episodes: Let's Help Our Friends, Things That Stick, Borrowing Things, It's Bedtime, Playing at Friends' House, What Vehicle Is That? Let's Sleep Alone.

Elena Garro, Mexican writer and former wife of Octavio Paz, returns to Mexico after more than 20 years in exile, accompanied by her 18 cats, her daughter and "two trunks full of insults" to look for a house. This documentary is an impressionist portrait of Garro's final four years of life, recounting remembrances of her delightful childhood, her marriage to Paz, the ups and downs of her literary career, the '68 Tlatelolco tragedy, her break with the intellectual world, her flight from Mexico followed by exile and the disenchanted return, all filtered through her prodigious, acid imagination.

Dora, a 45-year-old biologist lives alone in an isolated house, where she conducts an ethically questionable research. Looking for a partner she can trust, she hires a new caretaker, Mateus, not realizing that he is also hiding his own secrets. Gradually, the two grow closer and Mateus finally discovers more about Dora's research: human composting. Mateus, who applied for the job in search of his father, who he believes to have worked at the house before disappearing without reporting, confronts Dora, but she manages to lure him like prey into her office, in the Tree House.

As the Egyptian society is hit with a wave of religious and national extremism, filmmaker Nadia Kamal and her grandmother Mary resort to storytelling as they recount to the grandson Nabeel the history spanning 100 years of changes. What's a better way than storytelling to preserve identity?

A story of a small production house facing a challenge that could threaten their whole company

An elderly couple retires and they are alone with each other in their large and very quiet Moscow apartment. Talking out loud about approaching old age, about loneliness and love is too awkward. They have been together for so long that they understand each other without words. But sometimes this silence becomes unbearable.

Near the Central Bus Station in the northern part of Israel, in the city of Karmiel, there is a 7-story building surrounded by a high fence with surveillance cameras. About 100 teenagers who came to Israel without families from the countries of the former Soviet Union live in this building. They undergo a nine-month adaptation course, after which they must turn from "Russians" into "Israelis". Excessively long stay in a closed atmosphere produces the opposite effect.

A company employee who went to deliver goods at his president's request secretly sees the president's wife masturbating out of loneliness and takes a video of it. She may be distressed when she is caught by her husband's employee, but she becomes more attached to a man who is more compatible with her than to a husband who is not interested in her, and she keeps thinking about that man.

In one of the popular neighborhoods in Baghdad, a disaster unfolds as a group of old houses collapses, causing a tragedy among the impoverished residents. A journalist endeavors to uncover the reasons behind this catastrophe. He discovers that Abu Fahad had constructed the house with non-compliant specifications, leading to its collapse. The journalist writes an investigative piece for the newspaper he works for, but the authorities remain unresponsive. He comes to realize that behind Abu Fahad, there is a wealthy and influential figure shielding him from legal accountability.