The Man Who Might Have Been An Inquiry Into The Life And Death Of Herbert No

Tsutomu Minagawa is set to retire; the organized business life, a perfectly normal family living in a two-story house with a garage, the once unstoppable routine is about to close down forever. However, Tsutomu's last day changes him forever, as a car accident leads to his new purpose and sets him on a mission to clean every traffic mirror in Japan in order to save lives.

The film analyzes the Titoist (Stalinist) rituals that were used to manipulate public opinion and the masses. In parallel, the film shows the monument of Edvard Kardelj, the main Orwellian ideologue of Titoism in the center of Ljubljana. The workers surrounding Kardelj are beings without articulated faces. Kardelj has the only human face. They all go to the so-called happy future. The monument confirms in an astonishing and perverse way that the so-called self-governing socialism produced a mass of impersonal and authoritarian individuals in the crowd, which the so-called communist elites rule unscrupulously by manipulating the feelings of the masses "about a better future".

The East Asian Acrobatic circus enjoys popularity after welcoming the Asuka brothers, two prestigious trapeze acrobats. One day, one of the brothers gets injured and a substitute needs to be found. Rumors start to float around concerning the circus clown and his grandiose acrobat career which ended tragically. Will he be able to reconcile with his tumultuous past and get the show running?

A man that no one knows is walking in the park without getting anywhere. When the winter arrives and he dies the local government arranges a big fair in the park. The people are happy and buy things.

Sera and her little sister Carys come to the city to look for work. Sam Crosby, an odd man, offers them work and accommodation and soon they are in the grip of very dangerous men. Who is Sam? What is Mordecai's plan? And the biggest question of all - will there be Christmas this year?

The "man who didn't change history" was a university professor: Ranuccio Bianchi Bandinelli, esteemed Italian scholar of Roman art and a founding father of modern archaeology. A figure that the Fascist regime could be proud of, in the 1930s, if it weren't for the fact that the professor was firmly anti-Fascist. Things came to a head over Hitler's famous journey to Italy in 1938, when Bandinelli was courteously invited to accompany Mussolini and the Führer, serving as tour guide and interpreter at the museums and archaeological sites. Now the dilemma arose: don the uniform and salute the two detested dictators, or compromise a lifetime of study, his career and even his personal safety? When the invitation turned into a peremptory order that Bandinelli couldn't refuse, he no longer had a choice.

American scientist Dr. Frank Smith is brought to Britain to help the C.I.A. There is a defecting East block scientist they want him to debrief. The commies are less than amused and set Dr. Smith up for a murder.

A Manhattan professor's (William Raymond, Larry Loonin) unseen artist wife mocks his pitiful existence.

The kid by the name of Tomshik recently often dreamed that he could fly. And now his dream came true! The boy was delighted with his new abilities. But the scientific fraternity became interested in such a miracle, and it became very clear that he did not fly the way he should have. And though they did not know how to do it, they began to struggle to teach Tomshik. What will their morals and experiments lead to?

Three siblings, Martin (87) from Monaco, Theo (85) from Canada and Alessa (82) from the USA narrate the fascinating true-life story of their father L.E. Hudec (1893-1958), a famous architect in Shanghai. For the first time Alessa visits Slovakia the birthplace of her father. Together with her brother Theo, they decide to visit China after 63 years - the country of their childhood and youth. This inspired documentary not only explores the many exciting details of the life of L.E. Hudec, father of Asian high-rises, but also serves as an authentic testimony of life of Europeans in Colonial Shanghai before The People's Republic of China was formed. It presents the never-before-seen 16mm home-movies that were shot between 1927-1938 by Ladislav Hudec himself.

Descended from a long line of Satanists, a man is given the role of sitting with the dead. He gets fed up with and wants a normal life but is tempted back over to the dark side by necrophilia.

The Man Who is Talked About is the overly agreeable Toni Mathis (Heinz Ruhmann), a gent constitutionally incapable of saying the word "no" (or "nein," this being a German picture). Though he'd rather breeze through life without responsibilities or obligations, Toni agrees to study zoology in college because his uncle (Hans Moser) wants him to. Alas, despite the Herculean efforts by Toni's servant Hassler (Theo Lingen) to prepare his master for his final exams, Toni forgets to show up for the finals and is expelled post-haste. In desperation, his uncle arranges for Toni to get married, and once again our hero just can't say no. Trouble is, he falls in love with trapeze artist Bianca (Gusti Huber), whose father won't let her marry anyone except another entertainer. Undaunted, Toni studies a book on show business and tries out for the vaudeville stage, and the picture isn't even halfway over yet!

Framed in flashback, The Man Who Loved Redheads is an anecdotal comedy about a man (John Justin) whose life is defined by his first romantic experience. That liaison occurred in Justin's youth, when the young man matures and enters the diplomatic world, he spends the rest of his career searching for his first love.

A portrait of Chinese writer Liu Xiaobo (1955-2017), a witness of the Tiananmen Square massacre (1989), a dissident, a woodpecker who tirelessly pecked the putrid brain of the Communist regime for decades, demanding democracy loudly and fearlessly. Silenced, arrested, convicted, imprisoned, dead. Nobel Peace Prize winner in 2010, alive forever. These are his last words.

Detective Sebők is shot at by a fleeing criminal and then pushed off the road. Sebők breaks his leg. Left by his wife, pensioned by his boss on the basis of false reports, he has a clash with banker Gömöri at the colonel’s party.

A man afflicted with a curse while visiting Bombay, India at the turn of the 20th Century struggles to live life without ever touching another human being. His tragic lack of success in remaining free of all human contact causes the death of casual acquaintances and close friends alike. Ultimately, his curse turns back upon him and his story ends as tragically as those he affected with his curse.

The man who became the mouse

An old man living with his only daughter tries to keep her close to him by any means, although she is married. With longing for what was, the daughter becomes attached to the one thing she has left of her deceased mother, a horse. Jealous of her affections, the old and stubborn patriarch sets the horse free, leading to his daughter’s despair... This evocative and at times frightening power game is about isolation, vulnerability and how we can become too dependent on those we love.