The Women And The Waves 2 Film Complet Vf Gratuit

Short film written and directed by Sonia Sebastian and starring Sandra Collantes and Celia Freijeiro.

A middle-aged doctor who has a wife and two children and a calm peaceful life falls in love with a woman 30 years younger than him and marries her. This put him in many more troubles. The movie theme in connection with the temporary marriage raises the comedic atmosphere.

In 1979, Iranian Women invite the American feminist Kate Millett to celebrate March 8, the International Women's Day, in Tehran. On March 7, the religious leaders announce that women have to wear the Islamic veil. From March 8 to March 13, women and liberals demonstrate in the streets against the veil. A crew of four French feminists filmed these historical events before being expelled by the mullahs.

Echo with Women's Voices Their Involvement in Political Movements examines the women's movement and women's political participation in Taiwan over the past thirty years.

The screams of the idols are echoed by the extremely unscrupulous actions that should never be done, including the manager of the office.

Four queens, four famous names in Prussian history: Luise, Augusta, \"Vicky\" and Auguste Viktoria. Who were they? Glamorous, rebellious, virtuous, conservative or even scheming? In a panorama from the end of the 18th century to the After the fall of the Prussian monarchy, the documentary opens up a new, female perspective on the military state of Prussia.

A documentary about the feminist movement in France and Switzerland in the 1970s, retracing the history, the struggles, the achievements, and the upheavals.

Japanese crime film

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

A report on the demographic impact of China’s one-child policy.

Documentary about the participation of women in the Nicaraguan Revolution.

1990 film from China

Lower Austria in the 18th century. Two young women, a forbidden love and a feeling of guilt that haunts them both in the form of a monster. A short film about an Austrian legend and is about girls and monsters that we create ourselves, about guilt and crushing feelings of guilt and about the freedom of love.

Moataz falls in love with the widow Suhaam, and their relationship quickly grows, but he discovers that she has a serious illness, so he proposes to her even though his cousin loves him and wants to marry him.

A film about the history of Sweden's Social Democratic Women's Association.

Former Han Ra Strong Man and current actor is rescued by Bong Hee while picking up some money he found under a bridge and is amazed at her strength. Just in the time the district office offers Joo Yeong the position of coaching a women's wrestling team and to participate in a competition with a big cash price on the line. Joo Yeong organizes a wrestling team with Bong Hee who is living a hard life with a slow-witted sister.

Cronenberg's speculative historical work draws inspiration from the anatomical waxworks at the La Specola museum in Florence, Italy. These wax models, traditionally used for medical demonstrations, are given a new perspective in the film. Cronenberg's work reveals the vibrant and surprising aspects of these female wax corpses, which were previously seen as static and serious. As David Cronenberg explains: “The Specola wax figures were created as a teaching tool, capable of revealing the mysteries of the human body to those who could not access … real cadavers held in universities and hospitals. In their attempt to create whole, partially dissected figures, whose body language and facial expression did not show suffering or agony … the sculptors ended up producing living characters apparently overcome by ecstasy. It was this surprising stylistic choice that captured my imagination: what if it was the dissection itself that induced that tension, that almost religious rapture?”

To repair a glitch in the space-time continuum, two agents from the future are forced to embroil themselves in the love-and-hate drama of a contemporary couple. As they both seriously and sloppily proceed with their dangerously comic operation a cosmic conspiracy deciding the fate of the universe begins unfolding in the background…