The Words Are Not What You Meant Film Complet Vf Gratuit

Newfoundland writer Harold Horwood has been called many things, but his own opinion of himself is undiminished. A former union organizer, politician in the Smallwood government, muckraking journalist, and founder of a counterculture "free school" in the 1960s, he is also an award-winning author whose regional base has not lessened his national stature.

The film reconstructs through an array of visual fragments, a multiplicity of languages, of peoples and their identities, the unique portrait of the poet and painter Etel Adnan.

Aimé Césaire - Le Masque des mots is a portrait of the Martinican writer who calls himself a rebellious negro and for whom the poetic act represents an act of freedom.

Documentary testimonial Nicaraguan-Spanish director Mercedes Moncada. It is not an autobiography, but it points to a very emotional perspective with the Nicaraguan revolution. Narrated in the first person, the documentary tells testimonial filmmaker's memories from his childhood, when the revolution broke up the "loss and betrayal" of the Sandinista National Liberation Front (FSLN) to the political principles that had been erected.

Sedina, Jasmina and Senada, three young village girls whose world collapsed one day of war in Bosnia.

After moving to Bucharest, Sânziana reflects on how this change has affected her perception of herself and her body.

In order to perfect his research, Robert travels to Italy, where he meets an unusual homeless man. Overwhelmed and confused by the unexpected encounter with that mysterious man, Robert begins to follow him and disappears without a trace...

Routine imprisoned Eva in an automatism that was ingrained in her spirit. Dromomania will perhaps be the expression that best illustrates her condition. She feels absent, and her frivolous glance catalogs each one of the small details of the journey that imprisons her every day. Her apathetic state is interrupted when she crosses an object outside the street and Eva is forced to finally face her demons.

The story of a classic rebetiko night in the port of Piraeus.

Testimonies of seven prominent photographers active in the juncture of the student movement of 1968

For 50 minutes or so Pictures presents a series of static, or gently swaying images which are sometimes bucolic landscapes but more often industrial ones (sludgy harbours, power lines, abandoned railway stations or deserted factories). The interplay between the two sets of imagery is not simple. Wyborny photographs his modern ruins at their most ravishing – at dawn or sunset, partially reflected in the water or glimpsed through the trees. Shots recur throughout, optically printed into brilliant colours or else, given the washed out quality of fifth generation Xeroxes. As there are few people shown, one’s impression is of a planet that is populated mainly by cows, barges and hydraulic drills.

Francesco makes an impression of a man who is in unity with himself and nature. His way of living seems unshakable. But all this can be destroyed after he discovers some girl who hanged herself on the territory of his farm.

Nantali Indongo, the rapper of the group Nomadic Massive, has long refrained from using the word Bitch in the lyrics of the songs she sings. As an Afro-descendant and mother, she considers that this word’s purpose has always been to dehumanize the Black woman. However, at the junction of the Black Lives Matter and #MeToo movements, she decided for the f irst time to use the b-word as a cry from the heart in her song Time . Aware of the complexity posed by the trivialization of this word, she embarked on a “word movie” across the Americas to understand the origins of the word and its many connotations over time. Her journey allowed her to give a voice larger- than-life to Black women, so that they could themselves express their opinions on the word bitch.

A portrait of the internationally acclaimed Spanish film director Isabel Coixet and an analysis of her particular world and her sensibility as a creator: her fictional universe, her career and her life through the words of actors, technicians, family, friends, journalists, specialized critics and those filmmakers who have been inspired by her work.

Film research of design in Russia. Many believe that a specifically Russian approach to design does not exist. But what if they underestimate the influence of culture, history and surrounding reality on the style and aesthetic guidelines of those who shape our visual environment? Natasha Klimchuk, Tim Cherny and Olya Morozova, leaders of the Bang Bang Education online design school, have assembled a company of 33 contemporary Russian designers. Among them are many famous names: Artemy Lebedev, Valery Golyzhenkov, Pokras Lampas, Anton Schneider, Denis Bashev, Oleg Pashchenko. They all speak and think in Russian and are inevitably inspired by what has become part of our everyday life, books, practices, rituals, holidays, economics, historical memory and fashion. With the help of these 33 guides, the almanac will try to find the features and boundaries of our national perception of beauty and look at what ethical and aesthetic values ​​we carry to the world.

The film’s main protagonists are household items of the 1950s-1970s shot on film. Their path goes from the written to the erased. From the clear to the forgotten. Obsession with the past — this is their space. The images gradually become and blurred down to pure emotion. Nothing can be saved, and it is impossible to return anywhere. This is a film where the characters take the stage for the last time.

In the evening, a writer meets a boy crying in the park, who tells him that while playing a game he gave his word of honour to guard a gunpowder storage shed and that he couldn't leave his post. The writer helps the boy to find an honourable way out of the situation.

Anna has a sweetheart and a beloved mother. An insane attachment to the mother, who doesn't want to let her daughter go, prevents her from a relationship whit the man, and gives her no chance to lead an independent life.