Thursday

On August 1, the anniversary of the 1944 Warsaw Uprising, two young people, lost and alone, are looking for happiness and their way in life.

A young couple go on a picnic in the forest, where the woman reveals that she is pregnant.

Mrs Thursday is a British comedy-drama produced by Associated Television, devised by Lord Ted Willis and featured scripts by Jack Rosenthal. It stars veteran British actress Kathleen Harrison as Alice Thursday, a Cockney cleaning lady who inherits £10 million and the controlling interest in a multinational company upon the death of her employer. Hugh Manning played Richard Hunter, is Mrs Thursday's butler, business adviser and confidant.

A bitter-sweet story of a young sales assistant and a truck driver trapped between their dreams and the economic depression.

A group of friends plan to steal a companýs payroll, they succeed, but they have a fatal accident in the getaway car.

International peace conference, events take place in the last week of 1899. Tragic love story between Vilma, daughter of the Austro-Hungarian envoy/ambassador, and Zoluk of Montenegro.

Some friends want to have a party at home, meanwhile a clergyman enters the house.

Short documentary about the Thursday-bazaar of Minaab, a small city in South of Iran

On the eve of his wedding, a young doctor leaves Moscow to see his mother who lives in a nature reserve. Things are complicated by the fact that the doctor's ex-girlfriend is also there, and she is expecting a child.

Every week a group of young muslim women meet by the swimming pool to learn to swim, and dare to trust the water. They share their thoughts about love and ideals, as well as the importance of education and sisterhood.

On Christmas Eve 2020, a girl was involved in a robbery at a gas station where she went every Thursday to pick up something very important to her.

Éva and Árpi are married, but have no home on their own. On Thursdays, they meet in Árpi's long vehicle. Renting a room from a head tenant would be too expensive. The ad of an old lady found in a newspaper, in which she offers a room free of charge to the person who finds her lost parrot, comes in handy.

Not far from Grozny, on an alternate railroad track, there is an old steam locomotive with several wagons attached to it. The steam engine gives steam — hot water is in the boilers, and a bathhouse is equipped in the cars, where soldiers and officers wash, laundry is washed ... A washing on wheels — at the same time a soldier’s bivouac, a piece of peaceful life, and the beginning of a new road. To this locomotive, these cars come - platooned, in batches and one at a time - tired, tired, unshaven, angry Russian guys. They scrape dirt off themselves. Soak from stubborn soot, warm with souls. They put on clean underwear. They drink vodka. They smoke. They talk about love, remember loved ones and native places. Cry. They sing. And around - the landscape after the battle. It's not over yet ... An accidental explosion. Stray bullet. And our guys washed into the unknown. Clean. Hoping to survive.

A new cinematic vision puts the psychological and social disintegration of family relationships under the microscope. The decline of human feelings in front of the tyranny material force and the breakdown of family ties open the door to opportunism and greed in order to acquire more money, causing the killing of human feelings and turns members of one family to enemies.

There are three parts: street youths, a girl who wants to go abroad, and poor musicians.

With its obvious simplicity, the film’s title happens to set the mood of the film, or at least its guiding principle: staying anchored in everyday life. More precisely, the life of Maria José and Norberto, who have been married for 35 years and who live in Contagem, in the suburbs of Belo Horizonte. Their marriage is on the rocks, which leads their two sons to also wonder about the future of their own relationships with their wives. The story is quite ordinary. How can one capture such an impercep- tible shift in the heart of the banality of things, only made more noticeable by a crisis? Filming his own family, his own parents, his brother and himself, André Novais Oliveira has chosen to take his time. He shots long sequences, leaving enough time for the fictional situations on which he puts his characters to grow and unfold. Then he uses wide frames to linger on more mundane, concrete or at times farcical moments: eating an orange, cooking, watching television...

The heroine's son is admitted to the hospital in critical condition. A mother in distraught, pleads to the doctors to save her child, but is met with harsh reality of medical incompetence.

Thursday is the day to which Maria has been preparing for some time, more or less since the moment when she learnt she was pregnant. Her boyfriend, family and friends are all supportive and advise her on maternity ignoring Maria and the signals she is trying to send. The girl decides not to inform them about her decision and plans for Thursday.

His world was already like an empty anthill, a dry swarm to which a cricket has come to sneak.