Streaming Film VF Complet
Un Día En Ayotzinapa 43 Film Complet Vf Gratuit , Film Complet VF Gratuit, un dia || film complet et série vostfr
Buenos Aires in the year 2002; the economical depression has caught the country. Elsa keeps her head above water through several badly paid jobs and occasional criminal offenses with her friends Walter, Laura and Toni. She's saving money for a ticket to Rome to get out of her life and visit an Italian with whom she had a one night stand several months ago.
Spanish filmmaker David Trueba travels to New York to interview Woody Allen, who reviews his filmography and his many personal and artistic concerns.
On April 20 of 1988, six young people stormed the central Banamex branch in Los Mochis and held hostage the people inside the location. 30 years after this incident, the survivors recount what happened.
Mexican feature film
After unfortunate circumstances, Manny, an aspiring musician, must decide between becoming the sole guardian of his uncle's daughter, Marisol, and pursuing his band’s tour of the U.S.
The documentary tells the story of one day in Smara, a refugee camp in the south of Algeria. A handmade symbolic toke takes us through the lives of six characters and the reality of the situation in Sahara: The past, present and future of a population without land who want that their words will be heard by the world.
Sergio, a film heartthrob in the decline of his career, agrees to spend 24 hours with the winner of a radio contest. The fate of the prize lies with Tina, a girl from the small town of Algarrobo of Mijares, a fervent admirer of the actor.
Historia de un día begins by observing the peaceful life of farmers living in a rural area in Latin America. Day breaks. A woman touches her eyebrows. A man shaves. Chickens are set loose and goats are fed. Little or nothing is said but the soundtrack gradually evolves into a rich, subtle combination of background noise and added sounds. This observation takes on a more contemplative mood, when attention is focused on the other subjects of the film.
Documentary that attempts to establish a portrait of the variable -and at times immeasurable- collective of Constitución Station. Vendors, train drivers, officials, the needy, opportunists and untimely offer a framework that is in daily tension between those who live the space as a threshold to other realities and those who live it as their living space. The film sets out to recover these small stories from a perspective as meticulous as it is distant, to observe each of these tenuous events as an impartial, silent and almost impressionistic spectator in order to obtain from this zero sum, the general portrait of a world.
Madrid, Spain, June 30th, 2016. Rafael and José Luis jam a crazy one-day trip in search of the city's jazz scene, meeting the musicians, the club owners, the audience, the true believers who tell the story from the beginning, back in the 1950s, until the last breath of this memorable day.
Suppose one day you wake up and you’re on your own. Literally, absolutely on your own as if by magic or as if somebody were granting you a wish you’d made someday in the past. Everybody had disappeared
It's any given sunday at Chapultepec Park. To “El Negro”, nor the boat ride or the visit to the zoo semms to make him happy. He cheers up when he is asked a question that leads us to learn that happiness exists, but it comes at a price.
This film did not make it past the editing process in 1953. It was released four decades later in 1993. Although specialists do not agree on the reason, it's likely that the movie's bitter tone and deviation from the dominant, uplifting DivEdCo narrative were the main reasons. Notable for its portrayal of "El Fanguito," a San Juan urban slum, and of country-city emigration at the dawn of Operation Bootstrap.
A guy is trapped in monotony, this way of life takes him to the limit. What will happen?
Arantxa, a fourteen-year-old teenager, decides to confront her mother to tell her that she will no longer endure violence as a method of education.
Julia is a hairdresser, owner of a remisería, who goes out on a Sunday picnic with her family. The day does not propose anything different from her predictable daily life: the husband protests, the teenage daughter reads dance magazines and the son will be absent.
Julián tells his therapist about his empty life. His mother and sister beg to differ: whenever Julián works, crazy things happen.