Untitled I Was Looking Back To See If You Were Looking Back At Me To See Me Looking Back At You Film Complet Vf Gratuit

Follows a group of female escorts who are living life as best they can.

Luis and Lorenz, two troubled yet ambitious aspiring filmmakers, embark on an audacious journey to create an independent short film. With college admissions looming over their heads, the stakes are high, and failure is not an option. Fueled by a shared passion for cinema, their friendship is put to the test as they navigate the chaotic and often comical process of filmmaking. Despite differing in demeanor and personal philosophies, they must remain united by their one common goal – to tell a story.

Experimental short film by Davi Gautto that explores the relation between sound and image

Super8, b&w, 2024

A painter in the throes of a creative block finds inspiration thanks to a fascinating and mysterious gallery owner, but he can't expect the shocking consequences of their encounter.

SEM TÍTULO (UNTITLED) talks about the hardships of making a documentary of a topic as complex as sexuality, which is to this day a taboo in the society, approaching it in a comical way showing the steps that went wrong during the process until the end. Later the documentary becomes something more complex, where the real characters are the group of filmmakers themselves.

“An Untitled Film” by George Alshevskij-Jones is a short documentary/visual essay about the struggles of moving to seek a better future in a different country. The research for the film was done by observing and talking to people who have left their home country. It doesn’t matter what country a person has left and in which country he has found himself, the general experiences and emotions stay the same. The most important message that I want the film to convey is that everything is possible and home is not a place on a map, but a place in the soul of each person that I spoke to. The unconventional way of showing many people as one is not just a way of making the film more convenient to create, but a way to fit a much information into one consistent image, that the audience is more likely to understand and perceive as the author intended it. My own experience blended in with the experiences of others.

Emerging from the screen’s blackness, a small image appears at its lower edge. A young boy sits in a train clattering out of the station. Shortly after that another film image is visible at the upper edge: A man catches his wife cheating on him. More and more scenes appear until the screen fills with 12 sections. A different film is being shown in each one.

Haiti. Untitled is a kaleidoscopic, dramatic documentary from this chaotic Caribbean country and comprises a mixture of material on video, 16 mm and 35 mm, dating in some scenes right back shooting on Leth's Udenrigskorrespondent (1982).

Story of a pair of young couples who end up having problems with their marriages

Plot under wraps, but allegedly will involve a nuclear family.

A performance film consisting of a string of five slow motion portraits of a young woman—recalling the stillness of photographs. Each portrait varies in length and gesture as her myriad expressions invite our gaze. With each action performed in dead silence, stretched to the limits of voyeuristic levels of comfort, the simple act of looking is made fragile. A curious exchange is established between spectator, creator, and subject through a careful appropriation and reframing of social media conventions and advertising iconography transposed into a cinematic space—pointing to a cycle of regressive media consumption. This piece continues a series of cinematic works finding the colonial gaze in both the ethnographic image and forms of dominant media as a means to dismantle hegemonic structures found in the culture of image consumption.

This video, in which two men—one of them in a suit, the other naked—engage in their daily morning routine in a shared bathroom, was made by Radim Labuda as his first video performance. Labuda’s early work is characterized by an interest in the dynamics of partner relations as well as broader social relations, in the representation of the power relations of domination and subordination but also subversion. Representations of physicality, including nudity, can imply self-acceptance, sincerity, and decisiveness or at other times inadequacy and insecurity, depending on the context.

A museum guide shows around the historical guns room. Weapon manufacturers exhibit their latest products at the trade fair. A girl decides to resist weapon circulation in society and destroys a stolen gun.

Far right radicalism cannot be innate, it is always a result of socio-economic frustrations. We asked our friends to try on the uniform of the National Corps and think about the far right political identity from inside.

Short experimental documentary with fragments of a home movie in which the filmmaker captures weekend strolls and tanks rumbling through the city.

Short film.

Enrique is a 16-year-old boxing fighter who lives with his grandmother. When his estranged father decides to move to another city, he will take away the little support pension provided. In this process, Enrique will become aware of the harsh reality that he has to live but he will continue to fight for his dreams.