Video Nasties The Definitive Guide Part 2 The Section 3 List M Z

Directed by Datta Dharmadhikari. With Dinkar Inamdar, Prakash Inamdar, Sarla Yeolekar.

Jin-seok and Yeo-eun are a loving couple. And Yeo-eun's older sister, Su-a, who came to the couple's house. When Jin-seok goes to the living room, not awake from the alcohol he drank the day before, he sees his naked wife after taking a shower, and she is overrun with lust. Su-a decides to appease her lust by intimidating him as she forgets his exhilarating taste.

2021 visual essay by filmmaker Chris O'Neill following the origins of video nasty filmmaking.

Yuji, who has never had a girlfriend, molests Erika, an office worker, on a crowded train. Passengers on the spirit world train waiting for their turn to go to the other world are presented with the condition that they can avoid going to hell if they can make Yuji lose his virginity within a month. The ghosts desperately try to make Yuji and Erika's love come true, but... This is an ingenious original molester story. The genius director Naoyuki Tomomatsu presents in a unique way the story of love and lust between a perverted man and a beautiful office worker. Fresh idol actresses such as Akika Kitagawa, Emi Kitagawa, and Lemon Hanazawa co-star gorgeously. The unique personalities of the ghostly co-stars are also worth seeing.

From the young Ensor, brilliant artist, rebel and relatively unknown, to the esteemed Baron Ensor, who only painted scenes in which he plagiarized himself, Luc de Heusch provides an interpretation of a man and an oeuvre. A Sunday musician, out-and-out misogynist, talented utterer of curses, lover of the mermaid, seller of beach souvenirs, he left dazzling drawings and major 20th century paintings. At the centre of the film is the creative impotence he experienced halfway through his life. The setting is Ostend, queen of beaches, the city that he never wanted to leave, and the North Sea, beautifully photographed. A film on art which provides outstanding answers to the following questions: how to film a scene, how to find a dramatic structure, how to avoid narratives being too educational. The scenes are shot in full screen: the film imposes its format of continuity and narration on the museological ‘framework’.

A documentary analyzing the furore which so-called "video nasties" caused in Britain during the 1980s.

The highly anticipated follow-up to their critically acclaimed VIDEO NASTIES: MORAL PANIC, CENSORSHIP & VIDEOTAPE documentary, director Jake West and producer Marc Morris continue uncovering the shocking story of home entertainment post the 1984 Video Recordings Act. A time when Britain plunged into a new Dark Age of the most restrictive censorship, where the horror movie became the bloody eviscerated victim of continuing dread created by self-aggrandizing moral guardians. With passionate and entertaining interviews from the people who lived through it and more jaw dropping archive footage, get ready to reflect and rejoice the passing of a landmark era.