Wasted

Four mates waste their twenties in a West Country village. Morpheus, a geeky conspiracy theorist runs a mystical souvenir shop with his unambitious sister, Sarah. His scrounger best friend Kent sleeps on their sofa rent-free, and his secret crush, Alison, runs a new age healing business at the back of the shop. Mixing the misadventures of twenty something life with visually surreal set pieces, it's about the very bad things that really good friends do to each other, when they've been living in each other's pockets since school. 

A group of high school friends reunite in their hometown for the funeral of an old buddy, 'Bender'; they will spend a weekend struggling to accept that Bender escaped what they can't - adulthood.

Casual acquaintances via the Internet often lead to true friendships. The opposite happened to our hero - the offer of an Internet friend for money to provide a small service almost ends in tragedy for both.

Winter, black and white city zero. There is a spy around every corner, a door ready to come for you, an invasion of your personal space in every movement. The hero runs through the stone city, running not only from the ubiquitous system, but also from himself in it. Its history is a fragment of the everyday life in which we do not even wonder what this is for the next check on the road and who unceremoniously enters our house.

A high-school track star (Nick Stahl) watches without judgment as his two best friends (Summer Phoenix, Aaron Paul) abuse heroin.

Wasted unapologetically depicts the post-COVID college experience in its rawest form: featuring hookup culture, substance abuse, and shattered friendships, all while asking the age-old question of "how does one "do" college right?". Alex Wilder, a college freshman, navigates his way between two friend groups: his longtime theater squad and a corrupt-yet-alluring fraternity crowd. Alex's mental state slowly deteriorates during this identity crisis, and he must learn who he truly is and what he stands for during one of the most influential times of his life.

A 30-year-old woman strikes up a friendship with two teenage boys, whose rivalry for her attention develops menacing undertones.

Walter struggles with stealing pills for his friends.

Through the lens of a rock documentary, Wasted gives an access-all-areas account of the struggles, heartbreaks and triumphs of the three Brontë sisters Charlotte, Emily, Anne, and their brother Branwell. Brought up in a remote, poverty-stricken town in Yorkshire, without money or opportunity, they fought ill-health, unrequited love and family feuds to write some of the most celebrated literature including Jane Eyre and Wuthering Heights.

This is the story of waste. This film opens our eyes to the simple truth hidden in plain sight: What we throw away, doesn’t go away. Everything we consume has a lifespan we never see. Wasted calls on us to shift our perspective and open our eyes to the reality of our trashed planet in this new era of the Anthropocene.

Three friends are trapped in a dead-end basement surrounded by the un-dead. With only one cartridge and a video camera the odds are stacked against them. Will they become fodder for the brain hungry towns folk or is their greatest threat from the enemy within?

Buntarou doesn't know what he wants to do in the future. He does not have any kind of dream that he wants to pursue, so currently he just spends his days hanging around with his friends. One day, his classmate Sayuki asks him if he wants to help with development of a gal game. She says that she had become interested in his help after she read one of his works intended for the drama club. Buntarou doesn't know anything about gal games, but Sayuki claims that she has the ability to make it a success. Can they make the game, and will it be a success like she claims it will be? This is the story of youths taking a daring step into the unknown...

Iki Tadashi is a military leader named who was captured by the Soviets during World War II. Treated as a war criminal, he was sentenced to many years of labor in a harsh Siberian detention camp. After 11 years of imprisonment, he is released. He returns to Japan and begins readjusting to life as a civilian, rejecting an offer from his former colleague to work on a defense project. Tadashi has decided to never involve himself in war again, much to the joy of his family. Instead, he attempts to set off on a new path working at a major trading company. --Tokyograph

Ángel Díaz’s documentary The Lost Sorrows of Jean Eustache, concentrates on Eustache as cinematic thinker and archivist of his own life. Actors read texts written by Eustache, including the following reflection: “The role of the author in cinema should be one of non-intervention.” This sentence reminds us that he belongs to the greatest of film traditions (he cites Griffith, Renoir, Dreyer, and Lang as his models), the one that sees cinema as a matter of placing the camera in front of reality and capturing it ardently, precisely, and without tricks.

Shanghai gangsters grapple with lust and loyalty on the eve of war with Japan as they try to navigate an alliance with the enemy's army.

One day out of boredom, Tanaka decided to give her classmates nicknames based on their quirks. Her friend Kikuchi became "Ota" for her nerdy interests, and her other friend Saginomiya became "Robo" because of her expressionless personality. In retaliation, her friends decided to name Tanaka "Baka." These are the ridiculous days of three high school friends claiming (or not) the height of their youth.

Juha Berg is a 30-year-old hopeless drunk in the Kallio neighborhood of Helsinki. Juha doesn't have the first intention of changing his way of life - just the opposite. He really enjoys sundry sexual relationships, adrenalin-inducing violence and, of course, alcohol for which he gets money even if by collecting bottles. But the hilarity in a drunken haze soon gets a run for its money as the passionate Juha falls in love with his AA group leader. The relationship with Tiina progresses quickly to dating and Juha has to make pivotal decisions. Juha has to begin balancing between maintaining a functional intimate relationship and his old lifestyle. Juha's best friend Kristian does his best to sabotage the relationship, and Juha's shaky decision to stay sober is further hindered by Mikael, an expert on German erotica. But how far can you go before there is only one solution left?

Continuing the tradition of the Yojimbo movies, Mifune Toshiro stars as Toge Kujuro, a wandering ronin searching for his own fame and happiness. With a sense of justice, he travels the countryside, with his motley collection of outcasts - a pistol-carrying ronin, a two-bit con artist and woman seeking revenge, following close behind, unwittingly righting wrongs and protecting the common man.

In the first half of the fifties Júlia, the weaver meets engineer Szél on a visit with "educative" purpose, who raises his three children alone in a mighty villa. Júlia is willing to take care of the adolescent children and she moves in to the villa. She falls in love with the man but he is not able to express true, deep feelings.

Pop le Roux is a beautiful, but relatively uneducated, boer girl from a poor family. The young men of the county all compete with each other to win her favor. The man she loves is Manie Cronjé, He is just as poor and Pop sees no chance of suffering further. She eventually marries Jan Greyling, the rich widower. Gradually she adapts to her new life and becomes a good wife for Jan.