Where We

Where’s Wendy (2016) is a found footage film and found footage horror. When a high school graduate’s girlfriend goes missing after a series of celebratory parties, Sean and his best friend instantly start searching for Wendy and are joined by her closest girlfriend to help investigate the beach at the end of their small town where she reportedly went for a mysterious after party with other local girls who are also reported missing. As the teens continue their search, Sean quickly discovers that the hunt for his girlfriend has lead them into an irrevocably dark world.

Where The Hell Are We And What Day Is It... This Is Static-X is a rockumentary DVD that was set to be released in 2001 by industrial metal band Static-X. It features behind-the-scenes and live footage, along with all of Static-X's music videos and an audio-only concert. Due to the live footage being recorded at Ozzfest, Sharon Osbourne threatened to sue the band if the DVD was released. Therefore, it was prevented from ever hitting store shelves. It is very hard to find and roughly only 500 copies are in existence.

A documentary covering the city of Lone Pine and its involvement in films especially westerns.

The dynamic performance of drummer Jörg Mikula serves as the trigger for a new work by Siegfried Fruhauf that explores the reciprocal relationship between the two time-based media of film and music in a wild way. WHERE DO WE GO reveals itself to be a synesthetic experiment rendering sight as rhythmical and the visual edit as musical. The filmmaker painstakingly animates brief phases of movement recorded with a Lomography Supersampler* to create a visual series of trains, tracks, bridges and nature that are re-constellated and brought together in a multiple split-screen projection.

Young girl working in nursing home connects with one of the apathetic patient. Her superior does not aprove of that. Film is an intimate story about a need for understanding and connection between generations.

Where Can We Be Found? focuses on the state of Lebanese Cedar trees (Cedrus libani) today, exploring the various ecologies that the tree inhabits and co-inhabits. The film re-tells transhistorical narratives of the Cedar, which has been used since ancient times as a symbol of eternity and immortality. Tracing various degrees of human impact leading to the tree’s contemporary demise—for example, the disruption of its habitat due to climate change and extractive tourism—and its use as a civic emblem to craft the illusion of a distinct Lebanese identity, Where Can We Be Found? distinguishes the Lebanese Cedar as an autonomous being from the various ways in which it has been used as a national, cultural, and ecological symbol, or otherwise misconstrued. [Overview Courtesy of the New Museum]

By 2030, 1 in 6 people in the world will be aged 60 years or over, an increase that is already visible in high-income countries. People’s physical and social environments, such as our homes, neighbourhoods and communities, play a fundamental role in ensuring that we can spend our old age in good health. Where We Grow Older starts off in Barcelona, where the city administration has seen it as its duty to provide housing where people can grow old in well-designed, supportive environments, so that they can maintain physically and socially active lives. We then visit Baltimore, where a group of architects and artists are working together with caretakers to co-design elderly housing with their perspective in mind.

where we are is always too far away is an auto-portrait conceived as a diptych, presenting linear and non-linear spaces as a transient body. Shifting between movement and stillness, time speeds up, slows down, and gets lost in the landscapes of memory.

For the very first time the UK / American AOR legends Strangeways can now finally be seen live in concert on DVD. Recorded at the reunion show at Firefest 2010 in front of an adoring crowd at Nottingham's Rock City, Terry, Ian, Jim, Munch and Warren combined some of the greatest AOR tracks ever written such as Love Lies Dying , Only A Fool and Never Going To Lose It with some brand new tracks from the comeback album Perfect World , such as the title track, Borderline and the monstrous Bushfires . For those that have waited 21 years, this is finally your chance to see the band in all their glory on stage for the first time since 1989, and re-live what was for band and fans a truly emotional homecoming in front of a sold out Rock City, Nottingham. Track listing: Love Lies Dying; Breaking Down The Barriers; Perfect World; Only A Fool; Empty Streets; Time; After The Hurt Is Gone; Borderlines; Where Do We Go From Here; Never Gonna Lose It; Bushfires

A theatre registration of the theatre concert 'Where Are We Now' by Sven Ratzke. With Jetse de Jong on the piano, Ratzke dives into Bowie’s world. In an intimate setting they unravel the songs in all their beauty and pureness. In ‘Where are we now’ Ratzke looks back – and ahead in the life of Bowie. By giving the songs their own personal touch. Ratzke is able to transfer the classics in a brand new light without losing the style and sound of the original master. There are also newly written songs that could have come from the master himself. The show is interwoven with the typically crazy and witty Ratzke stories.

Journey through a vibrant, bustling literary world.

Copyright © – EMI Music Australia Pty. Limited Manufactured By – EMI Music Australia Pty. Limited Distributed By – EMI Music Australia Pty. Limited Manufactured By – EMI Music Group Australasia Distributed By – EMI Music Group Australasia

Copyright © – EMI Music Australia Pty. Limited Manufactured By – EMI Music Australia Pty. Limited Distributed By – EMI Music Australia Pty. Limited

Copyright © – EMI Music Australia Pty. Limited Manufactured By – EMI Music Australia Pty. Limited Distributed By – EMI Music Australia Pty. Limited

Through the eyes of two juggalo girls and a hopeful young starlet we confront existential malaise in a beguiling world.

In March of 2008, 250 veterans and active duty soldiers marked the fifth anniversary of the invasion of Iraq by gathering in Washington, DC to testify from their own experience about the nature of the occupations of Afghanistan and Iraq. Inspired by the 1971 Winter Soldier Investigation held by the Vietnam Veterans Against the War, they too sought to express their opposition to those wars with their first-hand accounts, bearing witness with voices not generally heard. Our documentary is a portrait of three participants. If follows their lives for 6 weeks leading to the even and afterward; an active duty female soldier, a 9 year National Guard Veteran, and a 3 tour former Marine. This is their story.

This film starts from a personal journey by gathering shared experiences of other queer Chinese people living in the UK, offering a look at the wider context of these important issues as the director tries to understand the possible definitions of home and the effects of the COVID-19 pandemic on Chinese lives through voice over, intimate letter changes, archives & news, interviews, and the use of digital mappings. We see how queer identities intertwined with diaspora are bound up by rejection from the home country, the struggle of racism in the host country, and the confusion of cultural assimilation in the context of ethnocultural transformation. Finally, the work delves into the reality that for people who are marginalised, either culturally, geographically, or socially is always a state of exile.