Where You Are Film Complet Vf Gratuit

Where did I come from? Who am I? Where will I go to? And you are…

A dismissed chef and a failed rapper rob a car to flee from the city after having a very bad day. On their way, they meet a mentally unstable girl who thinks of herself as an angel. Later they find out that a gang is chasing after them, because of the car they robbed. The trio has different destinations in life but rides on the same journey. Will they reach their destinations? Three people, two days, one journey.

A conversation between two women about the desires and banalities of life. Both women share the same homeland, one stayed there while the other emigrated, but the distance hasn't severed their friendship nor the similarities in their perspectives.

Based on Joyce Carol Oates' short story, the film follows Connie, a 15 year old girl through her life and summer in 1966. Her summer comes to a halt one afternoon while her family is away from their home. She meets a stranger named Arnold Friend whose interest in her may not be what it seems.

Abandoned in an orphanage, subsequently adopted by wealthy Mr. Mohanto and Gayetri, Gopal Mohanto lives a wealthy lifestyle in Guwahati. His foster mother is often cruel to him, and he runs away to Bombay, where he meets some youth in his age group and starts earning money delivering newspapers under the supervision of Badru. One day he finds some money belonging to Bollywood actress, Shalini, and returns it to her.

Albertine is the most controversial character of Recherche du temps perdu, the most mentioned yet the one we know the least about: we do not know where she comes from, what she does for a living, where she ends up… and even when she dies, we wonder if she ever existed at all. Several critics saw in Albertine Proust’s driver Alfred Agostinelli, a young Italian with whom Proust had been madly in love. The novel and Proust’s life become the excuse for a contemporary love story – where Marcel, Albertine and Alfred hide, bluff, swap genders and roles, experiencing love as an eternal question, aware that the heart of things cannot be captured, but only glimpsed at.

Sentenced to life in a jar, a frog runs away and searches for a new home.

"Where are you Sophia" is the story of a local newspaper columnist from a rural town called Highlands Where she mysteriously disappears and ends up meeting Charlie, a young handsome man from Jersey Shores. She takes him on a journey where he is introduced to the realms of the unknown which only he can unravel as he faces the mysterious forces in the evil town of Highlands.

Jennifer, Where Are You? is structured by a speech-act, a constant proleptic call, a man’s voice which has been edited and recut into a repetitive and pervasive presence. The insistence of this male voice, which repeats the phrase “Jennifer! Where are you?” every 30 seconds, parodies the authority conceded to voice-overs in the cinema. The voice is patriarchal, relentless, and runs the entire length of the film. Cut-aways to a small girl, glancing at the camera as she plays with lipstick and matches, reapportion the relation between patriarchal phonocentrism and masculine gaze. But is this small child subject to either? No. Not really. There she is, hiding in plain sight–ours, not ‘his’–a ‘purloined subject’ successfully evading subjugation through response or acquiescence. ‘Jennifer,’ whoever she might be (a cipher, a pseudonymous textual marker of gendered cinematic presence) is never apprehended, and the film, for all of its suspense, simply ends.

It can be a struggle to answer the inevitable question: ‘Where are you from?’ when you’re not quite sure. A young woman of mixed heritage searches for an answer by looking back over three generations of her family. Documents, family stories and of course the British staple of tea and biscuits help her figure out a way to reply. A personal look at questions of identity, at a time where migration, political isolation and reclaiming history are hot topics. Is it important to look to your own past in order to better respond to wider issues present today?

A short about the climate crisis.

Where Are You, Eun-seok! follows actor Park Eun-seok, who spent the last one and half years shooting the hit TV series 'Penthouse,' finally having his 'recuperation trip' to Jeju Island. The new trip, as you can expect, doesn't go as he planned. What happens to him, the self-claimed 'travel expert?'

Sonny Boone was a fighter who had everything, then lost it. He blamed God for all of his troubles and asked WHY bad things happened to him? His ultimate question: God Where Are You?

A young man wishes he could get away and his wish is granted in a globetrotting, song singing way.

Tooth Fairy, Where Are You? is a 25-minute made for TV animated short produced by Lacewood Productions and directed by Paul Schibli. It was originally broadcast on Canada's CTV Television Network in the year 1991.

Pontoffel Pock, Where Are You? is an animated musical television special written by Dr. Seuss, directed by Gerard Baldwin, produced by DePatie-Freleng Enterprises, completed in 1979 and first aired on CBS on May 2, 1980. This was one of the final cartoons done at DePatie-Freleng as the studio would be sold to The Coca-Cola Company and become Sunbow Productions in 1981. The songs are by Joe Raposo.

The artist talks to the camera, while the sound is not recorded. The silent talk is a response to the question ‘where do you think you are going?’ and points at the insufficiency of language at certain times.

A feature-length documentary about musician Jay Bennett (1963-2009), who was a key member of Wilco on the "Being There," "Summerteeth," "Yankee Hotel Foxtrot" and "Mermaid Avenue" albums.

A high society wedding, bustling city streets, a center for former child soldiers, a nightclub full of music and laughter: these are the many faces of today's Uganda, as wonderfully captured by filmmaker Kimi Takesue. Whether exploring the pulsating energy of the city or contemplating quiet moments in the country, her artful camera compositions and the lyrical pacing of the film allow us to truly engage and process the foreign land on our own terms. Documenting Uganda while it deals with day-to-day realities and the aftermath of its civil wars, Takesue, well aware of her perspective as an outsider, strives for simple, unadorned honesty. Employing a largely observational style, Takesue allows the sight and sounds-and the people-of Uganda to speak for themselves. Usually the people she records simply ignore the camera, but when someone does engage-whether it's a group of school children...