White

Headshots is a film-within-a-film directed in-character by Ingrid Veninger as Ruby White. Taken from Veninger's third feature, i am a good person / i am a bad person.

A young woman investigates the death of her mother, who drowned when her daughter was still a baby. The question is: was it murder, suicide or merely an accident?

Migs needs to settle a huge debt to a loan shark. When Migs explains that he doesn't have the money yet, the loan shark proposes that he could settle the bill if Migs could find Lovi Poe and introduce him to the actress. How does a regular guy who knows no one in show business meet a celebrity?

During the war against the Japanese, a white horse named Feifei steers away a enemy raiding teams to save its wounded master.

The film follows the adventures of a gentleman thief, named Cingöz Recai (Turan Seyfioğlu). With the help of his fiance Jale (Neriman Köksal), he steals from the rich.

Adaptation of the book by same title by Peter Stavinski, the film brings out the relations between children and birds in a new and unknown aspect, as a symbol of the purest and most direct expression of harmony.

A wealthy man's son, who has a sinecure as a hotel owner, poses as a bellhop to win the affections of a woman guest with whom he has fallen madly in love, but who seeks a common man who is earning his own way. This first Cantonese-language talkie was based on a successful 1930 stage musical written by and starring Xue JueXian (Sit KokSin), the plot of which was in turn inspired by a 1929 silent Hollywood romance called "The Grand Duchess And The Waiter" which Xue admired. The film was produced not in Shanghai, by the Tianyi studio, headed by the eldest of the Shaw Brothers, Shao Zuiweng (RunJe Shaw), and was so successful in the Cantonese-speaking parts of China that Shaw moved the Tianyi company to British-administered, Cantonese-speaking Hong Kong to make more Cantonese films in the face of the right-wing Chinese Nationalist government's ban on Cantonese language in favor of Mandarin. A sequel to Baijin Long was made in 1937, and the film itself was remade in 1947.

Two prisoners escaped from a prison a few weeks before Eid al-Fitr. They were forced to hide in a cabin and then met the siblings Rian and Melati who were in trouble. The prisoners help them and their friendship started here.

Qallunaat! Why White People are Funny is an irreverent look at Western Civilization through Inuit eyes. Inspired by the satirical essays of Zebedee Nungak, the film turns the tables on generations of anthropologists, teachers, adventurers and administrators who went North to pursue their Arctic Dreams. Now it’s their turn to be poked, prodded, examined and explained. A new generation of Inuit is ready to take on the Qallunaat at their own game. Grounded in their own traditions but educated in the South, they have a unique perspective on the culture that has come to dominate the planet. And they are not afraid to speak their minds.

During a unpleasant date, a bartender narrates the situation from afar, which escalates to the point of absurdity.

James Bell's experimental film edits a stream of video full of the idiosyncrasies we have all seen living amongst the so called 99% of the American population - aka shit kicking uneducated red-necks who get drunk, use food stamps to buy cigarettes, gossip about dead co-workers, and try to make baby birds fly before they are physically able. The film follows various individuals as they go through the different stages of their day. Some of these people clearly have some sort of mental disabilities, physical disabilities, and possible drug or alcohol problems. That also references the film’s alternate title The Great White Apocalypse.

Originally called White Thunder, American producer Varick Frissell's 1931 film was inspired by his love for the Canadian Arctic Circle. Set in a beautifully black-and-white filmed Newfoundland, it is the story of a rivalry between two seal hunters that plays out on the ice floes during a hunt. Unsatisfied with the first cut, Frissell arranged for the crew to accompany an actual Newfoundland seal hunt on The SS Viking, on which an explosion of dynamite (carried regularly at the time on Arctic ships to combat ice jams) killed many members of the crew, including Frissell. The film was renamed in honor of the dead.

The filmmakers were given remarkable freedom to record the historic 1984 contract negotiations between the United Auto Workers and General Motors Corporation. Bob White, labour leader of the Canadian branch of the UAW, must also confront his American counterpart from Detroit and succeeds in arriving at a contract that is significantly Canadian. His members had already given him a mandate to fight for independence from the American union. This is an invaluable document for anyone interested in the complexities of United States-Canada relations. It's an extraordinary film about revolutionary events.

One of the most characteristic elements in DivEdCo's films was the resolution of conflict through dialogue. This is the case in Belén, where the protagonist must deal with her father's patriarchal objections to her desire to become a nurse.