Ça C Est Paris

In 1974, in the quiet suburb of Sainte-Foy, two discontented couples bring their kids to summer camp. Once home, they must face the pitiful state their marriages are in. Unable to deal with their problems, they become the most infamous criminals in the history of organized crime in Quebec City.

They’re dirty, vulgar, dishonest, grouchy, uncultured. They’re also a big, happy family. The Bougon are a joyous bunch of scoundrels who live on the margins of society, doing whatever it takes to scam their way through life, thinking up new schemes for avoiding work, and never conforming to the system.

Forbach, East of France, today. Mario, a man without much ambition, except where love is concerned, is back to square one after his wife left home. He now must raise his two adolescent daughters by himself, while going through some sort of a teenage crisis of his own. 14-year-old Frida blames her father for their mother's leaving and she develops ambivalent feelings towards her new girlfriend. 17-year-old Niki will soon leave home. Until then, she lives the good life. Mario can't help but lose the women he loves. Yet they must all agree to let one another go.

Self-filming. A parody of the pornographic (male) gaze.

Remake of the eponymous film by Pierrick Sorin released in 1993. Comedy about a peeping tom. A parody of the male pornographic gaze.

C’est ça, la vie was a German educational television series produced by Bayerischer Rundfunk, teaching French as a foreign or second language to German viewers. An extension of the instruction presented earlier in the Bon Courage series, this series was divided into two parts of 13 episodes each, focusing on the use of the French language in business.

On a rural road, winding through autumnal trees, a solitary cyclist heads down hill; he seems to resent it when he has to steer to the side to let a convertible go past.

A condemned man shares his thoughts while smoking a cigarette, moments before his death.

A rural traditional family lives day by day without knowing how to communicate with each other, making tension rise between them.

"I do not care if we go down in history as barbarians." These words, spoken in the Council of Ministers of the summer of 1941, started the ethnic cleansing on the Eastern Front. The film attempts to comment on this statement.

Trapon, a bank employee, is in love with Mrs. Lavator, who wants to marry off her two daughters before marrying her. As one of the two fiancés of his daughters has no money, Trapon begins to embezzle sums of money in his cash box.

The misadventures of a young employee in Saint-Tropez.

After studying political science in Paris, Antoine decides to go to Strasbourg to become a parliamentary assistant at the European Parliament. His motivation: to find his ex-girlfriend Cleo, who is a television editor. Half-documentary, half-fiction, with the students of the Théâtre National de Strasbourg.

Laurel is a Scottish reporter suspected of being a spy by police detective James Finlayson. Although trailed by the latter, Stan, who is reporting on the movie world, manages to be hired by Mack Sennett. He makes his debut in Nevada, in the middle of gold diggers. After managing to clear his name he becomes, with Oliver Hardy, a big comedy star.

The three female protagonists present their personal relationship with intravenous drug use, and their intimate confessions are filled with fear and insecurity but also love for the state of intoxication. Ambient music in the background and colourful textures multiplying over shots of the everyday reality of drug users create an almost dreamlike world. “I won’t feel the full effects the whole night, but it will help take my mind off things.”